REFERENCES
2023
Bauhaus

Mateo Kries. ASSOULINE, New York

2022
The Piscatorbühne Century. Politics and Aesthetics in the Modern Theatre After 1927

Drew Lichtenberg. Routledge, Oxon, New York

2021
Moholy-Nagy Foundation: Hattula Moholy-Nagy

Mary Pelletier, The Classic #05, pp. 38-50. Spring.

Ecstatic Light: Renate Heyne on Moholy-Nagy's Photograms by Mary E. Pelletier

https://theclassicphotomag.com/ecstatic-lightrenate-heyne-on-moholynagys-photograms/

Képek és Hátterek: Moholy-Nagy Laszló a Nagyalföldön 1895-1919 (Pictures and Backgrounds: László Moholy-Nagy on the Great Plain 1895-1919)

Tamás Szabó. Múzeumi Tudományért Alapítvány, Szeged (Hungary).

2020
Bauhaus STEAMpunks and a Crisis-Based Humanities

Justus Nieland. Los Angeles Review of Books. June 27, 2020

László Moholy-Nagy: Briefe und Schriften aus der Zeit am Bauhaus.

Edited by Gudrun Wessing. Weimarer Verlagsgesellschaft, Wiesbaden.

Egy Moholy történet [A Moholy History]

Péter István Tóth, Panorama-Körkép, vol. 23, no. 248, pp. 14-16, November.

2019
100 Years of Bauhaus

Roberts, Jennifer. The Getty magazine, pp. 8-11. Spring, 2019

Moholy-Nagy and the New Topography

With texts by Ute Brüning, Gerda Breuer, Steven Heller, Richard Hollis, Ellen Lupton, Erik Spiekermann et al. Verlag Kettler, Dortmund

Moholy's Edit: The Avant-garde at Sea, August 1933

Blencowe, Chris, and Judith Levine. Lars Müller Publishers, Zürich

Sibyl Moholy-Nagy: Kritikerin der Moderne

Heynen, Hilde. Sandstein Verlag, Dresden

László Moholy-Nagy: Gestalter des bewegten Lichts

Wessing, Gudrun. Weimarer Verlagsgesellschaft, Weimar

Vision in Motion

L. Moholy-Nagy. Japanese edition

Moholy’s Edit: The Avant-Garde at Sea August 1933

Blencowe, Chris, and Judith Levine. Lars Müller Publishers, Zurich

Sibyl Moholy-Nagy: Architecture, Modernism and Its Discontents.

Hilde Heynen. Bloomsbury Visual Arts, London.

2018
Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School.

Neugärtner, Sandra. Bloomsbury Academic, New York, NY

László Moholy-Nagy: Painting After Photography

Tsai, Joyce. University of California Press, Oakland.

Moholy Album: Laszló Moholy-Nagys schwarzweißfotografische Arbeiten 1924-1937

Fiedler, Jeannine. Steidl, Göttingen

Art in Chicago: A History from the Fire to Now

Taft, Maggie, and Robert Cozzolino. University of Chicago Press, Chicago

Up is Down: Mid-Century Experiments in Advertising and Film at the Goldsholl Studio

Beste, Amy, and Corinne Granof. The Block Museum of Art, Northwestern University, Evanston, IL

Is Bauhaus in a False Position

Yunting Zhang. Chongqing University Press, Chongqing, China

2017
László Moholy-Nagy, Der Kaufmann von Berlin.

Dorn (editor), Anja, Materialien zu Ausstellungsdesign und Szenografie 3. Staatliche Hochschule für Gestaltung Karlsruhe, Karlsruhe. Germany.

László Moholy-Nagy: Experimental Utopian Ahead of His Time.

Eliel, Carol S., and Deirdre O’Dwyer, Insider, Los Angeles County Museum of Art, vol. 11, no. 1, pp. 16-23. Winter.

A “Tahiti Madonna” III/3. Moholy-Nagy László Szegedi Muzsája. (The Tahiti Madonna: László Moholy-Nagy’s Szeged Muse)

Szabó, Tamás, Szeged, Vol. 29, no. 1, pp. 16-24. January.

Tahiti Madonna: A Napfény Várósában (Tahiti Madonna: Sunlight in the City).

Varaljai, Anna, Artmagazin 94, vol. 15, no. 2.

Pop Quiz: 10 Questions with Hattula Moholy-Nagy.

Harris, Mark Edward, Black & White, no. 33, pp. 14-15.

In Focus: László Moholy-Nagy.

Kokkori, Maria, Joyce Tsai, and Francesca Casadio, guest editors, Special Section, Leonardo vol. 50, no.3, pp. 273-329.

2016
Konkreter Faktor. Catalog to the exhibition

Thomas, Angela (editor). Haus Bill, Zumikon, Switzerland.

Future Present, Vision and Precision in a Fluid Braid.

Smith Roberta, The New York Times, May 26.

The Future Looked Bright: A Moholy-Nagy Retrospective

Schjeldahl Peter. The New Yorker, June 6 and 13 issue.

The Making of Chicago’s Moholy-Nagy

Reiss, Dawn. Chicago Architect September/October, pp. 20-21.

A jövő jelen időben: Moholy-Nagy László-kiállítás New Yorkban (The Future Present in Time: László Moholy-Nagy exhibition in New York)

Iguchi, Toshino. Új Művészet, August, pp. 8-11.

Az utópista modernista (The utopian of modernism)

Emöd Péter. hvg magazin, pp. 53-54. May 19.

The Artist as Producer: A Critical Look at “Moholy-Nagy: Future Present” at the Art Institute of Chicago

Eisenman, Stephen J. Newcity 2016 The Best of Chicago.

Moholy-Nagy László emléktabla előtt (In Front of László Moholy-Nagy’s memorial plaque).

Apró, Ferenc, Szeged, vol. 28, no. 11, p.1. November.

A “Tahiti Madonna” II/1. (The Tahiti Madonna).

Szabó, Tamás, Szeged, Vol. 28, no. 11, pp. 2-15. November.

A “Tahiti Madonna” III/2. Moholy-Nagy László Szegedi Muzsája. (The Tahiti Madonna: László Moholy-Nagy’s Szeged Muse).

Szabó, Tamás, Szeged, Vol. 28, no. 12, pp. 17-25. December.

Moholy-Nagy: Future Present

Edited by Matthew S. Witkovsky, Carol S. Eliel, Karole Vail, with additional contributions by Julie Barten, Sylvie Pénichon, Stephanie D'Alessandro, Jennifer King, Olivier Lugon, Elizabeth Siegel. Published in conjunction with an exhibition organized by the Solomon R. Guggenheim Foundation, The Art Institute of Chicago, and the Los Angeles County Museum of Art

2015
Education of the Senses in the Era of Technology: László Moholy-Nagy and György Kepes

Rejniak-Majewska, Agnieszka. In A Machine for Communicating: Around the Avant-Garde Idea of New Typography, pp. 177-192. Muzeum Sztuki, Lódz.

New Vision – the Language of Modern Typography 1925-1943

Kurc-Maj, Paulina. In A Machine for Communicating: Around the Avant-Garde Idea of New Typography, pp. 453-471. Muzeum Sztuki, Lódz.

László Moholy-Nagy

Hacking, Juliet. Lives of Great Photographers. Thames & Hudson, London. 1931

The Paintings of Moholy-Nagy: The Shape of Things to Come

Tsai, Joyce. Santa Barbara Museum of Art and Yale University Press, New Haven and London.

The Bauhaus in Chicago: László Moholy-Nagy’s Schools

Windsor, Lynn Martin. Caxtonian 22(8):1-9, 12. Chicago. August.

The Paintings of Moholy-Nagy: The Shape of Things to Come

Joyce Tsai, James Merle Thomas, Friederike Waentig, Larry J. Feinberg, Eik Kahng. Publisher: Yale University Press, 2015; Hardcover ISBN 10: 0300209975 ISBN 13: 9780300209976

László Moholy-Nagy – Konstruktion – Zoom #5

Nina Schallenberg, Herbert Nolden. Wienand Verlag GmbH, 64 pages, 51 color illustrations., 20 x 24 cm, Hardcover

2014
Sensing the Future: Moholy-Nagy and the New Media

Botar, Oliver A.I. Lars Mueller Verlag, Zurich, Switzerland, 2014. English and German editions.

Sehen in Bewegung

László Moholy-Nagy. German edition of Vision in Motion, 1947. Stiftung Bauhaus Dessau, Dessau, Germany, 2014.

Vision in Motion

László Moholy-Nagy. Stiftung Bauhaus Dessau, Germany

2013
Images in Exile: Lucia Moholy’s Bauhaus Negatives and the Construction of the Bauhaus Legacy

Schuldenfrei Robin. In History of Photography, Volume 37, No. 2, pp. 182-203 (May).

“Transparency and Light, Structure and Substance”: Enamel Paints in László Moholy-Nagy’s Z VII (1926)

Tsai, Joyce, Jay Krueger, and Christopher Maines. Journal of the American Institute for Conservation 52(4):236-245.

László Moholy-Nagy: Vision in Motion

Karakosta, Lila. Skene 5:76-85. (In Greek)

Telehor: La Tele Visión de László Moholy-Nagy

Gutman, Marcelo. Mix, Año 1, no. 3, Julio.

Breuer’s Furniture, Moholy-Nagy’s Photographic Paradigm, and Complex Gender Expressivity at the Haus am Horn

Toth, Edit. Grey Room, vol. 50, pp. 90-111. Massachusetts Institute of Technology, Winter.

László Moholy-Nagy: Things to Come, 1936-2013

Lurie, Aya and Jan Tichy. In La Città Nuova Oltre Sant’ Elia, pp. 91-95. Silvana Editoriale, Milano.

The Third Coast: When Chicago Built the American Dream

Deja Thomas. The Penguin Press, USA

2012
Assimilating Unease: Moholy-Nagy and the Wartime/Postwar Bauhaus in Chicago

Schuldenfrei Robin. In Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture. Edited by Robin Schuldenfrei (London: Routledge / Taylor and Francis).

Chicago Makes Modern: How Creative Minds Changed Society

Jacob, Mary Jane, and Jacquelynn Baas, editors. School of the Art Institute of Chicago and University of Chicago Press, 2012.

Foto/Photo

Bauhaus: Die Zeitschrift der Stiftung Bauhaus Dessau, Issue 4, December.

Bauhaus & Film

Tode, Thomas, editor. Maske und Kothurn: Internationale Beiträge zur Theater-, Film-, und Medienwissenschaft., 56. Jahrgang, Heft 1-2. Böhlen Verlag, Vienna.

Die Realität des Bildes/The Reality of the Image

, Jäger, Gottfried. Bauhaus: Die Zeitschrift der Stiftung Bauhaus Dessau, pp. 24-36. Ausgabe 4, December.

László Moholy-Nagy und die Fotografie aus der Vogelschau/László Moholy-Nagy and bird’s eye view photography

Brons, Franziska. Bauhaus: Die Zeitschrift der Stiftung Bauhaus Dessau, pp. 73-82. Ausgabe 4, December.

When Moholy Met Margaret: How the Bauhaus Shaped the American Studio Jewelry Movement

Ilse-Newman, Ursula. Views: Museum of Arts and Design, pp. 8-10. Spring.

From Bauhaus to Arthouse

Christie, Ian. Sight & Sound: The International Film Magazine, vol. 22, no. 6, pp. 12-13. June.

The Myth Reversed: Perspectives of László Moholy-Nagy

Devin Fore. Realism after modernism : the rehumanization of art and literature. pp. 21-74. October Books, MIT Press, Cambridge, MA and London, England

Chicago Makes Modern: How Creative Minds Changed Society

Mary Jane Jacob and Jacquelynn Baas. School of the Art Institute of Chicago and University of Chicago Press

The Myth Reversed: Perspectives of László Moholy-Nagy. In Realism after Modernism: The Rehumanization of Art and Literature

Devin Fore. pp. 21-74, October Books, MIT Press, Cambridge, MA and London, England

telehor: l. moholy-nagy

Klemens Gruber and Oliver A.I. Botar. 2 volumes, Reprint of the 1936 publication with a commentary volume, Lars Müller Publishers, Zurich.

2011
Rooms of Our Time: László Moholy-Nagy and the Stillbirth of Multi-Media Museums

Noam M. Elcott. In Screen/Space, edited by Tamara Trodd, pp. 25-52. Manchester: Manchester University Press.

A fény müvészete: Moholy-Nagy László kiállitása (The Art of Light: Exhibition of László Moholy-Nagy)

Zsuzsanna Kemenesi. Úi Müvészet, vol. 22, no. 7, pp. 12-14. Budapest.

60 Fotos

Franz Roh. Klinkhardt & Biermann, Berlin. (reprint of the 1930 edition) D.A.P., New York.

Moholy-Nagy László

Krisztina Passuth. Fapadoskonyv, Budapest. (reprint of the 1982 edition)

Moholy-Nagy László Katonaévei (László Moholy-Nagy’s Army Years)

Levente Nagy. artmagazin vol. 9, no. 44, p. 58-61, Budapest.

Moholy-Nagy László: Új Viszonylatok (New Relations)

ed. Emese Kürti. Ludwig Múzeum Baráti Köre Egyesület, Budapest.

Telehor (reprint of the 1936 edition)

ed. Frantisek Kalivoda. vol. 1, no. 1-2, February 28, Brno.

60 Fotos

Franz Roh. Klinkhardt & Biermann, (reprint of the 1930 edition) Berlin. D.A.P., New York

Moholy-Nagy László

Krisztina Passuth. Fapadoskönyv (reprint of the 1982 edition), Budapest

2010
László Moholy-Nagys Syntheseskonzept von 1922. (Moholy-Nagy’s Synthetic Concept of 1922.)

Oliver A. I. Botar. Bauhaus Global, pp. 81-93. Gebruder Mann Verlag, Berlin.

Luce e Movimento / Light and Movement

Grzegorz Musial, Franck Marlot. Signum Foundation, Venice.

La nueva form en la música, El teatro total es el teatro del futura, Carta abierta a la industría cinematográfica y a todos aquellos interesados en el desarrollo del buen cine, and Una propuesto

László Moholy-Nagy transalted by Esther Ramón. Minerva, vol. IV, no. 15, pp. 9-22.

Proceedings of the symposium “László Moholy-Nagy: Translating Utopia into Action,”

Guest editors Oliver A. I. Botar and Hattula Moholy-Nagy. Hungarian Studies Review, Volume XXXVII, Nos. 1-2 (2010) Special Issue.

Sigfried Giedion und die Fotografie: Bildinszenierungen der Moderne

ed. Werner Oechslin and Gregor Harbusch. gta Verlag, ETH Zurich, Zurich.

Moholy-Nagy: Mentor to Modernism

Lloyd C Engelbrecht with essays by Hattula Moholy-Nagy and Regan Brown. Flying Trapeze Press, Cincinnati, Ohio. (2 volumes)

Hungarians at the Bauhaus

Krisztina Passuth. Hungarian Quarterly, vol. LI, no. 200, pp. 106-115, Budapest.

Moholy-Nagy: Mentor to Modernism

Lloyd C. Engelbrecht. Flying Trapeze Press, Cincinnati, Ohio (2 volumes)

"Proceedings of the symposium László Moholy-Nagy: Translating Utopia into Action”, held in John M. Clayton Hall at the University of Delaware, 20 October 1995

Oliver A. I. Botar and Hattula Moholy-Nagy. Hungarian Studies Review, Volume XXXVII, Nos. 1-2 (2010) Special Issue

2009
For Moholy: Zero, Light Sculptures, and Light Spaces

Otto Piene. Bauhaus: A Conceptual Model, catalogue for the exhibition, pp. 276-278. Hatje Cantz Verlag, Ostfildern, Germany.

On the ‘Beautiful’ and ‘Strong’ Sexes at the Bauhaus: Marianne Brandt, Gender, and Photomontage

Elizabeth Otto. Bauhaus: A Conceptual Model, catalogue for the exhibition. Bauhaus-Archiv Berlin, Klassik Stiftung Weimar, and Stiftung Bauhaus Dessau. Ostfildern: Hatje Cantz Verlag, 2009, 291-294.

A ‘Schooling of the Senses’: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt

Elizabeth Otto. New German Critique 107: Summer, 2009, 89-131.

László Moholy-Nagy as the Lodestar of a New Art Form

Floris M. Neusüss and Renate Heyne. Bauhaus: A Conceptual Model, catalogue for the exhibition, pp. 211-214. Hatje Cantz Verlag, Ostfildern, Germany.

A Life of Light and Shadow

Alice Rawthorn. New York Times, 18 October.

László Moholy-Nagy

Marcelo Gutman. Dj. La Pupila, vol. 2, no. 2, pp. 22-26.

Camoupedia: A Compendium of Research on Art, Architecture and Camouflage

Roy R. Behrens. Bobolink Books, Dysart, Iowa.

László Moholy-Nagy: The Photograms: Catalogue Raisonné

Herbert Molderings, Edited by Renate Heyne, Hattula Moholy-Nagy, Floris Neusüss. Text (s) by Herbert Molderings, Renate Heyne, Eds. Renate Heyne, Floris M. Neusüss, Hattula Moholy-Nagy, Preface by Hattula Moholy-Nagy, introduction by Floris M. Neusüss English 2009. 312 pages, 616 Fig. Bound with protective cover 24.50 x 29.60 cm ISBN 978-3-7757-2341-1

Laszlo Moholy-Nagy: Retrospective

Ingrid Pfeiffer and Max Hollein, eds. exh. cat. (Frankfurt: Schirn Kunsthalle)

Bauhaus Construct Fashioning Identity, Discourse and Modernism

Jeffrey Saletnik and Robin Schuldenfrei, eds., London and New York: Routledge

2008
László Moholy-Nagy und die Schicksalsfrage der Malerei

Joyce Tsai. Form & Gesellschaft: Symposium zur Ausstellung “köln progressiv 1920-33.” Museum Ludwig, Koln.

Filmvázlatból mozi: A nagyváros dinamikája

Aline Heimcke, Frédéric Krauke, and Andreas Haus. Utóirat Post Scriptum vol. 8, no. 43, pp. 16-23. Budapest.

Films by László Moholy-Nagy

Oliver Botar. Journal of the Society of Architectural Historians, vol. 67, no. 3, pp. 460-462. September.

Moholy-Nagy László: Film epítész

Olivér Botár. Utóirat/Post Scriptum vol. 8, no. 43, pp. 4-8. Budapest.

2007
László Moholy-Nagy

M. J. Thompson. Border Crossings: A Magazine of the Arts, vol. 26, no. 1, pp. 84-86.

The Origins of László Moholy-Nagy’s Biocentric Constructivism

Oliver A. I. Botar. Signs of Life, edited by Eduardo Kac, pp. 315-344. The MIT Press, Cambridge, MA.

Transparency and the Irreconcilable Contradictions of Modernity

Eva Blau. Praxis, no. 9, pp. 50-59.

Laszlo Moholy-Nagy and Simon Starling

Helga Pakasaar. arts alive on the north shore 12 (2): 19.

Marguerite Wildenhain and the Bauhaus: An Eyewitness Anthology

ed. Dean & Geraldine Schwartz. South Bear Press, Decorah, Iowa.

Eine Galalithplatte als Gestaltungsmedium und Bildträger im Werk “Composition G 4” von László Moholy-Nagy

Annette Schulz-Marty. ZKK: Zeitschrift für Kunsttechnologie und Konservierung, vol. 21, no. 1, pp. 33-37.

Considerable Sway: The Visionary Art and Practice of László Moholy-Nagy

Richard Woodward. Photo Eye, pp. 53-55. Summer.

die neue linie, 1929-1943: das bauhaus am kiosk

Patrick Rössler. Bauhaus-Archiv, Berlin, and Kerber Verlag, Bielefeld, Germany.

Természet és technika: Az újraértelmezett Moholy-Nagy 1916-1923. Fully revised, Hungarian-language edition of Technical Detours

Oliver A.I. Botar. Budapest, Vince Kiadó

Dynamik der Gross-Stadt: Filmmanuskript László Moholy-Nagy

Sebastian Helm and Maximilian Sauerbier. Film in color, sound, 20 minutes, Schroeter und Berger

2006
Biology and the Bauhaus

Paul Anker. Tate Etc. no. 6, pp. 43-55. Spring.

The Gesamtwerker

Stuart Bailey. Tate Etc. no. 6, pp. 58-60. Spring.

Filmische Sinneserweiterung: László Moholy-Nagys Filmwerk und Theorie

Jan Sahli. Marburg: Schüren Verlag.

Bauhaus at the Zoo

Peder Anker. Nature, v. 439, p. 916, 23 February.

When the Sky Was the Limit

Mark Hudson. Daily Telegraph, 25 February.

Moholy-Nagy, a háborús tudósító (Moholy-Nagy, the war correspondent)

Edit Inotai. Népszabadság, p. 11, 4 July.

Lost in Translation

Jonathan Jones. The Guardian, pp. 18-20, 7 March.

Moholy-Nagy im neuen Licht: Farbfotografien als Künstleriches Medium

Enno László Kaufhold. Photo News, 18. Jahrgang, nr. 7/8, p. 8, July/August.

Design for Living

Hugh Pearlman. New Humanist, March-April.

Dynamik der Gross-Stadt: ein filmisches Experiment nach László Moholy-Nagy

Andreas Haus et al. Universität der Künste Berlin. Film in black/white, silent, 7 minutes.

Dynamik der Gross-Stadt: Filmmanuskript László Moholy-Nagy

Sebastian Helm, and Maximilian Sauerbier. Film in Color, silent, 20 minutes.

László Moholy-Nagy and Painting Photography Film: A Guide to Narrative Montage

Andrea Nelson. History of Photography, vol. 30, no. 3, pp. 258-269. Autumn.

A Mester Tanítványai: Moholy-Nagy László Emlékére

Film by Zsuzsa Dessewffy, Magyar Televizió, color, sound, 52 minutes.

Encyclopedia of Twentieth-Century Photography (3 Volumes)

ed. Lynne Warren. Routledge, New York. ISBN 978-1-57958-393-4

Albers and Moholy-Nagy: From the Bauhaus to the New World

Edited by Achim Borchardt-Hume with contributions by Hal Foster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, Michael White. Publisher: Yale University Press, 2006; ISBN 10: 030012032X ISBN 13: 9780300120325

Technical Detours: The Early Moholy-Nagy Reconsidered

Oliver A. I. Botar. Graduate Center of the City University of New York

Dynamik der Gross-Stadt: ein filmisches Experiment nach László Moholy-Nagy

Andreas Haus et al.. Film in black/white, silent, 7 minutes, Universität der Künste Berlin

Filmische Sinneserweiterung: László Moholy-Nagys Filmwerk und Theorie (Cinematic Broadening of the Senses: Film and Theory of László Moholy-Nagy)

Jan Sahli. Schüren Verlag, Marburg

László Moholy-Nagy: Color in Transparency: Photographic Experiments in Color, 1943-1946

Jeannine Fiedler and Hattula Moholy-Nagy. Bilingual English-German edition, Steidl/Bauhaus-Archiv, Germany

2005
Konkrete Photografie

Jäger Gottfried, Rolf H. Krauss, Beate Reese. Kerber Verlag, Bielefeld. A bilingual book (English-German)

Modern Magyar Festészet Remekei, 1896-2003

Márta Kovalovsky. Budapest: Corvina Kiadó.

Light Perception and Space: Turning the Lens on László Moholy-Nagy

Paul Weideman. Pasatiempo, pp. 40-41. Santa Fe: The New Mexican, March 25-31.

The New Vision and Abstract of an Artist

László Moholy-Nagy. Dover Books, Inc., Mineola, NY.

Photography Speaks: 150 Photographers on Their Art

ed. Johnson Brooks. The Aperture Foundation, New York and London. Moholy-Nagy on pp. 136-137.

2004
Bauhaus, Modernism, and the Illustrated Book

Alan Bartram. New Haven: Yale University Press

Fény-Kép: Hommage á Moholy-Nagy László

Erika Kocsor, Magyar Televizió. Film, color, sound, 37 minutes

László Moholy-Nagy (1895-1946): Vision in Motion

Lori Oden. International Photography Hall of Fame & Museum, vol. 20, no. 4, p. 1. The Kirkpatrick Center, Oklahoma City, OK.

László Moholy-Nagy: A Life in Motion: Paintings, Sculpture, Drawings and Photography

Krisztina Passuth. Annely Juda Fine Art, London, exhibition 18 October-18 December.

László Moholy-Nagy: The Late Photographs

Sean Ulmer. The University of Michigan Museum of Art, Ann Arbor, MI. Accompanying the exhibition in 2004-2005

Treasures of the Hungarian Museum of Photography

ed. Magdolna Kolta. The Hungarian Museum of Photography, Kecskemét. A bilingual compilation (Hungarian-English)

Modernizmusok. Európai Grafika. Modernismen. Graphik in Europa. 1900-1930

Éva R. Bajkay, Bakos Katalin, Ulrike Gauss. Publisher: Stuttgart: State Gallery, Budapest: Magyar Nemzeti Galéria.

László Moholy-Nagy's New Vision and the Aestheticization of Scientific Photography in Weimar Germany

Oliver Botar. Weimar Germany. Science in Context, vol. 17, no. 4, pp. 525-556.

What Do We Want? IIT Magazine, pp. 4-6, 25. Fall.

Marlis Manley Broadhead. IIT Magazine, pp. 4-6, 25. Fall.

The Formation of a Renaissance Man: László Moholy-Nagy’s Secondary Schooling in Hungary

Lloyd Engelbrecht. Hungarian Studies Review. Special Volume: 20th Century Hungarian Art at Home and Abroad, edited by Oliver A. I. Botar, vol. 31, no. 1-2, pp. 1-14.

From Pigment to Light:’Moholy-Nagy’s Art and Theories on Light as a New Medium

Ruth E. Iskin. Hungarian Studies Review. Special Volume: 20th Century Hungarian Art at Home and Abroad, edited by Oliver A. I. Botar, vol. 31, no. 1-2, pp. 47-75.

Fény-Kép: Hommage á Moholy-Nagy László (Light-Picture: Homage to László Moholy-Nagy)

Erika Kocsor. movie, color, sound, 37 minutes; Magyar Televizió

2003
László Moholy-Nagy und die Neuerfindung des Fotogramms

Herbert Molderings. ed. Renate Heyne. Kunst und Fotografie: Floris Neusüss und die Kasseler Schule für Experimentelle Fotografie, 1972 – 2002. Jonas Verlag, ISBN: 978-3-89445-317-6

Count Michael Károlyi in Wartime England. From His Correspondence, 1941-1946

Tibor Hadju and György Litván, The Hungarian Quarterly, vol. 44, no. 172, pp. 104-105, 108-109. Winter, 2003.

László Moholy-Nagy et la structure du médium

Clément Chéroux. In Fautographie: Petite histoire de l’erreur photographique (Fautografie: A little story about photographic error), pp. 81-89. Éditions Yellow Now, Chrisnée, Belgium.

The Institute of Design

Claire Sykes. Photographer’s Forum, 18-25. September. Exhibition “Taken by Design: Photographs from the Institute of Design, 1937-1971,” 2002.

Biocentrism and the Bauhaus

Oliver A. I. Botar. The Structurist no. 43/44, pp. 54-61. Saskatoon, SK, Canada.

Transfiguring the Urban Gray: László Moholy-Nagy’s Film Scenario ‘Dynamic of the Metropolis

Edward Dimendberg. Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson, edited by Richard Allen and Malcolm Turvey, pp. 109-126. Amsterdam University Press, Amsterdam.

The Stranger in a City filled with Strangers: Moholy-Nagy’s Urban Gypsies: Framework.

Robin Curtis. The Journal on Cinema and Media. Special Issue – Roma in Cinema. 44.2 (Fall 2003). 42-56.

2002
False Colors: Art, Design, and Modern Camouflage

Roy R. Behrens. Bobolink Books, Dysart, Iowa.

Kunst am Telefon László Moholy-Nagy.

Eduardo Kac. Jeannot Simmen, ed. Telematik: Netz Moderne Navigatoren, Cologne: König.

Johannes Itten, Laszlo Moholy-Nagy und Josef Albers

Rainer K. Wick. Bauhaus. Kunst und Pädagogik.

Bauhaus: le immagini di una stagione irripetibile

Fabio Amodeo. Arte, p. 137, June.

László Moholy-Nagy: contacts avec l’avant-garde parisienne

Christian Derouet. Cahiers du Musée National d’Art Moderne, no. 79, pp. 100-123, spring.

Schlemmer, Moholy-Nagy, and the Search for the Absolute Stage

Matthew Wilson Smith. Theater, vol. 32, no. 3, pp. 87-101.

A Plurabelle-rejtély (James Joyce mozija)

Kinga Máhr. Filmvilág, vol. 45, no. 3, pp. 52-54.

2001
László Moholy-Nagy

Jeannine Fiedler. London: Phaeton 55.

Bauhaus: una unidad ideal

Mara Ares and Veronica Duh. Artinf, vol. 26, no.113, pp. 44-46.

La photo a l’état pur.

Alain Dister. L’Oeil, pp. 74 – 79, February.

Zwischen Sein und Nichts: Schatten und Lichtkunst des Bauhauses bei Ludwig Hirschfeld-Mack und László Moholy-Nagy

Peter Stasny. Ausschnitt, no. 6, pp. 15 – 28.

Licht-Raum-Modulator (Light-Space Modulator)

Bauhaus-Archiv Museum für Gestaltung. movie, color, silent, 4 minutes; Berlin

László Moholy-Nagy

Jeannine Fiedler. Phaidon, London

1999
Moholy-Nagy und der Hohenflug konstruktivistischer Fotografie nach 1924 (Moholy-Nagy and the Flights of Fancy of Constructivist Photography after 1924)

Kellein, Thomas. In Thomas Kellein and Angela Lampe. eds. Abstrakte Fotografie, Ostfildern-Ruit: Hatje Cantz.

László Moholy-Nagy’s Odyssee: Von Hungarn nach Chicago (Moholy-Nagy’s Odyssey from Hungary to Chicago)

Margolin, Victor. In Georg-W. Költzsch and Margarita Tupitsyn, eds. Bauhaus: Dessau, Chicago, New York. Cologne: DuMont.

La lezione grafica della Bauhaus (The Graphic Lesson of the Bauhaus)

Bistagnino, Enrica, and Sabrina Vallino. Linea Grafica, pp. 56 – 62.

László Moholy-Nagy and Atomic Ambivalence in Postwar Chicago

Garvey, Timothy J. American Art, vol. 14, pp. 22 – 39, Fall.

Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic

Jennings, Michael. October, pp. 23 – 56, summer.

A Photographic Summit in the Windy City: The Institute of Design’s 1946 ‘New Vision in Photography’ Seminar

Pohlad, Mark B. History of Photography, vol. 24, pp. 148-154, summer

Photography

Halpert, Peter Hay. Art and Auction, no. 21, p. 52, July-August.

1998
Moholy-Nagy, László, Constructivism and the Proletariat (1922) and The New Typography (1923)

Jane Goldman, and Olga Taxidou, eds. In Vassiliki Kolocotroni, Modernism: An Anthology of Sources and Documents. Chicago: University of Chicago Press.

Historical Note

Behrens, Roy R. Print, vol. 52, p. 12, September-October.

Károly Photographes. Made in Hungary (Photographers. Made in Hungary)

Milan: Motta. (Editions in Hungarian, French, and Italian.)

Animato: The Work of Art in the Age of Potential Electronic Manipulation: Audio-Visual Paraphrases of the Painting K XVII (1923)

Jäger, Gottfried. Leonardo, vol. 31, no. 3, pp. 179-181.

Prolegomena to the Study of Biomorphic Modernism: Biocentrism, László Moholy-Nagy’s “New Vision” and Ernö Kállai’s Bioromantik

Botar, Oliver A. I. A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy, Graduate Department of the History of Art, University of Toronto.

1997
Über Moholy-Nagy: Ergebnisse aus dem Internationalen László Moholy-Nagy Symposium, Bielefeld 1995, zum 100. Geburtstag des Künstlers und Bauhauslehrers (About Moholy-Nagy: Proceedings of the International László Moholy-Nagy Symposium, ielefeld 1995, on the 100th Birthday of the Artist and Bauhaus Teacher)

Jäger, Gottfried and Gudrun Wessing, eds. Bielefeld: Kerber.

The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917 – 1946

Margolin, Victor. Chicago: University of Chicago Press.

Historical Note

Behrens, Roy R., and Pamela A. Ivinski. Print, vol. 51, p. 6, January – February.

A Utopian Whose Vision Remains Intact

Goldberg, Vicki. New York Times, p. E43, 14 November.

Technik Utopisches bei Moholy-Nagy (Technical Utopia According to Moholy-Nagy)

Wick, Rainer K. Thesis, no. 3-4, pp. 350 – 357.

Bauhaus Fotografie

Catalogue to the exhibition (in Japanese). Kawasaki City Museum, Japan.

Laszlo Moholy-Nagy: Fotogramas 1922–1943 exh. cat.

exh. cat. Madrid: Museo Nacional Centro de Arte Reina Sofia

1996
Filmische Sinneserweiterung: Filme, Experimente und Theorien von László Moholy-Nagy (Cinematic Broadening of the Senses: Films, Experiments and Theories of László Moholy-Nagy)

Sahli, Jan. Zürich: University Press.

Tranzit: Tanulmányok a kelet-közép-eurôpa avantgarde mûvészet témakörébôl (Transit: Contributions on themes in east-central European art)

Passuth, Krisztina. Budapest: Új Mûvészet Kiadó.

Bauhaus: A Form of Function

Bürer, Catherine. Idea, vol. 44, pp. 30 – 35, May.

Schwerkraft ist suspendiert (Gravity is Suspended)

Keim, Christiane, and Ulla Merle. Frauen Kunst Wissenschaft, no. 22, pp. 45 – 56, December.

1995
László Moholy-Nagy: Biographical Writings

Kaplan, Louis. Durham, North Carolina: Duke University Press.

László Moholy-Nagy: Surfer in der Gutenberg-Galaxis (László Moholy-Nagy: Surfer in the Gutenberg Galaxy)

Fiedler, Jeannine and Ben Buschfeld. In Ute Bruning, ed. Das A und O des Bauhauses: Bauhauswerbung: Schriftbilder, Drucksachen, Ausstellungsdesign. Leipzig: Bauhaus-Archiv.

Los von der Malerei: Lichtspiele und Reportagen von László Moholy-Nagy (Freed from Painting: Lightplays and Documentaries by László Moholy-Nagy)

Film-Dienst 48. Jahrgang, pp. 34-37. August 1.

Le Bauhaus de Chicago: L’oeuvre pédagogique de László Moholy-Nagy (Chicago Bauhaus: The Pedagogical Work of László Moholy-Nagy)

Findeli, Alain. Sillery, Quebec: Klincksieck.

László Moholy-Nagy, Idee und Wirkung: Anklänge an sein Werk in der zeitgenössischen Kunst (Idee and Actuality: Traces of his Work in Contemporary Art)

Hülsewig-Johnen, Jutta, and Gottfried Jäger. Bielefeld: Kerber, 1995.

Licht-Spiele: Zum 100. Geburtstag von László Moholy-Nagy (Lightplays: The Hundredth Birthday of László Moholy-Nagy)

Weber, Klaus. Museums Journal, vol. 9, no. 2, pp. 33 – 35.

Un Passato Ritrovato: László Moholy-Nagy a Newark

Carbone, Antonella. Art e Dossier, no. 104, pp. 11-14, September.

I centi anni di László Moholy-Nagy

Carbone, Antonella. Metamorfosis, no. 27, 56-62.

Things to Come

Frayling, Christopher. British Film Institute, London.

Laszlo Moholy-Nagy: Compositions Lumineuses, 1922–1943

exh. cat. (Paris: Centre Georges Pompidou

In Focus: László Moholy-Nagy : Photographs from The Getty Museum

Getty Publications. https://shop.getty.edu/products/in-focus-laszlo-moholy-nagy-978-0892363247

1994
Picturing Modernism: Moholy-Nagy and Photography in Weimar Germany

Hight, Eleanor M. Cambridge, MA: MIT Press.

Typofoto: Wege der Typografie zur Foto-Text-Montage bei László Moholy-Nagy (Typo-Photo: Uses of Typography in Photo Text Montages by László Moholy-Nagy)

Müller, Claudia.

Four Poems of 1918 by László Moholy-Nagy

Botar, Oliver A. I. Hungarian Studies Review, 21, no. 1, pp. 103-112.

Die Zukunft im Räderwerk der Harmonie: Utopievorstellungen zweier Werkbund Ausstellungen im Jahre 1930 (The Future in the Clockwork of Harmony: Representations of Utopia in the Two Werkbund Exhibitions in the Year 1930)

Hemken, Kai-Uwe. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, vol. 39, no. 1, pp. 79-90.

Moholy-Nagy and Japanese Modern Art

Iguchi, Toshino. Új Mûvészet, vol. 5, pp. 36-41, 70-73.

1993
Peinture photographie film et autres écrits sur la photographie (Painting Photography Film and Other Writings on Photography)

Baqué, Dominique, ed. Nimes: Jacqueline Chambon.

The Telephone Paintings: Hanging Up Moholy

Kaplan, Louis. Leonardo, vol. 26, no. 2, pp. 165 – 68.

Lazlo [sic] Moholy-Nagy

Wayman, Robin. Journal of the Writing Equipment Society, No. 83, pp. 29-30, with a reprint of Industrial Design by L. Moholy-Nagy, pp. 31-33. Solihull, UK

1992
Dynamik der Grossstadt: Skizze zu einem Filmmanuskript (Dynamic of the Big City: Sketch for a Film Script)

Moholy-Nagy, László. Berlin: Rainer.

Luftbild-Raumbild-Neues Sehen (Aerial Photography-Spatial Image-New Vision)

Haus, Andreas. Fotogeschichte, vol. 12, no. 45 – 46, pp. 74 – 90.

Bauhaus: From Form to Function, Dessau 1925 – 1929

Kobayashi, Kunio. Idea, vol. 40, pp. 70 – 75, September. Japanese and English.

Avanguardia ungherese: la rivista Ma (Hungarian avant-garde: the magazine MA)

Verdone, Mario. Terzo Occhio, no. 18, pp. 23 – 25, September.

1991
Is there a Central European culture?

Willett, John. In Ladislav Matejka ed., Cross Currents: A Yearbook of Central European Culture – 10. Ann Arbor: University of Michigan Department of Slavic Languages and Literatures.

Blend and Dazzle: The Art of Camouflage

Behrens, Roy R. Print, vol. 45, pp. 92 – 99, 147, January – February.

Photographie au Bauhaus (Photography at the Bauhaus)

Borhan, Pierre. Cimaise, vol. 38, pp. 37 – 44, January – March.

Bauhaus Education and After: Some Critical Reflections

Findeli, Alain. Structurist, no. 31 – 32, pp. 32 – 43.

Design Education and Industry: The Laborious Beginnings of the Institute of Design in Chicago in 1944

Findeli, Alain. Journal of Design History, vol. 4, no. 2, pp. 97 – 113.

Photographic Illiteracy

Lee, David. British Journal of Photography, no. 138, p. 12, 18 July.

1990
Fotografie am Bauhaus (Photography at the Bauhaus)

Fiedler, Jeannine, ed. Berlin: Dirk Nishen.

Lichte Zukunft für ‘Everytown’: László Moholy-Nagys Mitarbeit an dem englischen Science-Fiction-Film: “Things to Come” (Light Future for ‘Everytown’: Moholy-Nagy’s Work on the English Science Fiction Film, “Things to Come”)

Kamps, Johannes. In Christoph Andreas, ed. Festschrift für Hartmut Biermann, Weinheim. VCH, Acta Humaniora.

Man about the Bauhaus

Chalk, Douglas. Direction, p. 53, October.

Moholy-Nagy’s Design Pedagogy in Chicago (1937 – 46)

Findeli, Alain. Design Issues, vol. 7, no. 1, pp. 14 – 19.

Bauhausfotografie-oder ‘Fotografie am Bauhaus’? (Bauhaus Photography or ‘Photography at the Bauhaus’?)

Jagals, Kah. Profifoto, no. 1, pp. 54 – 57.

Institute of Design, Illinois Institute of Technology, No.3

Yoshioka, Michitaka. Design Scene, no.17, pp. 17 – 18, 25 – 26.

1164 Laszlo Moholy-Nagy

Owen, Derek. Film Dope, no. 44, pp. 18-20.

1989
László Moholy-Nagy: Frühe Photographien

Gerhard Glüher. Das Foto-Taschenbuch 16. Berlin: Nishen.

A Pioneer of the Hungarian Avantgarde.

Kenneth McRobbie. Ladislav Matejka, ed. Cross Currents: A Yearbook of Central European Culture 8, Ann Arbor: University of Michigan Department of. Slavic Languages & Literatures.

Erweiterung der Gestaltungsmöglichkeiten durch neue Medien am Beispiel der Film- und Fotogrammarbeiten bei Laszlo Moholy-Nagy

Ute Mertens. Hildesheim

Laszlo Moholy-Nagy and the Plague of Plagiarism

Louis Kaplan. Yearbook of Interdisciplinary Studies in the Fine Arts, vol. I, pp. 15-35.

Fotomontaz w Bauhausie (Photomontage in the Bauhaus)

Rolf Sachsse. Sztuka, vol. 14, no. 4, pp.12-15.

1988
Moholy-Nagy and the Hungarian-American Council for Democracy: Documents

Oliver A. I. Botar. Hungarian Studies Review, vol. 15, no. 1, pp. 77-84.

Dynamik der Groβstadt

Jürgen Sascha Hardt. Film, color, silent, 17 minutes, Theater der Klänge, adapted from the film script by László Moholy-Nagy.

De la photographie á la peinture: L eçon de László Moholy-Nagy (1895-1946)

Alain Findeli. Hungarian Studies Review, vol. 15, no. 1, pp. 53-62.

Light in the Work of László Moholy Nagy. In Ladislav Matejka.

Diane Kirkpatrick. Ed. Cross Currents: A Yearbook of Central European Culture – 7. Ann Arbor: University of Michigan Department of Slavic Languages and Literatures.

Time and Space in the Work of László Moholy-Nagy

Diane Kirkpatrick. Hungarian Studies Review, vol. 15, no. 1, pp. 63-76.

Analysis of Photographic Style: A Systems Approach

Rebecca Bryant Lockridge. Journal of American Culture, vol. 11, no. 1, pp. 43-53.

László Moholy-Nagy: La grande roué.

Krisztina Passuth. Art Press, pp. 12-13, December.

1987
An Interview with Katharine Kuh

Avis Berman. Archives of American Art Journal, vol. 27, no. 3, pp. 2 – 36.

László Moholy-Nagy: Alchemist of Transparency

Alain Findeli. Structurist, no. 27 – 28, pp. 4 – 11.

Moholy-Nagy: Proto-Holographer

Richard Kostelanetz. The Structurist, no. 27 – 28, pp. 12 – 21.

Transparency in Art in the Early Part of the Twentieth Century

David Geary. The Structurist, no. 27 – 28, pp. 23 – 27.

The Bauhaus Metal Workshop: 1919 – 1927

Deborah Norton. Metalsmith, no. 7, pp. 40 – 45, Winter.

Le rôle de l’avant-garde hongroise: (Moholy-Nagy, Kassak, Péri) dans le développement des mouvements d’avant-gardes est-ouest (1909-1926) (The Role of the Hungarian Avant-Garde in the Development of East-West Avant-Garde Movements (1909-1926)

Krisztina Passuth. Ph.D. dissertation, Sorbonne, Paris.

László Moholy-Nagy, an Apostle of the Beauty of Technology

József Vadas. Interpressgraphic, no. 2, pp. 10-17.

Ästhetische Erziehung in Gesellschaftsverändernder Absicht (Aesthetic Education in Order to Change Society)

Rainer K. Wick. Cahier ICSAC, no. 6-7, pp. 225-248.

László Moholy-Nagy: ‘Konstruktion in Emaille 1’ (‘Enamel Construction 1)

Jan van der Marck. Art Press, pp. 84 – 86, September.

Laszlo Moholy-Nagy: Lichtbilder

Moholy-Nagy, Laszlo and Britta Buhlmann. Museum Haus Lange, Krefeld

Laszlo Moholy-Nagy, Laszlo Peri: Zwei Künstler der Ungarischen Avantgarde in Berlin, 1920–1925 (Laszlo Moholy-Nagy, Laszlo Peri: Two artists of the Hungarian avant-garde in Berlin, 1920–1925)

exh. cat. Bremen, Germany: Graphisches Kabinett Kunsthandel Wolfgang Werner KG

1985
The New Vision: Forty Years of Photography at the Institute of Design

ed. Charles Traub. Aperture, no. 87, pp. 4-76. Millerton, NY.

Constructed Reliefs in the Art of the Hungarian Avant-Garde: Kassák, Bortnyik, Uitz and Moholy-Nagy 1921 – 1926

Oliver A.I. Botar. Structurist, no. 25/26, pp. 87 – 98.

The Films of Moholy-Nagy

Jan-Christopher Horak. Afterimage, vol. 13, pp. 20 – 23, Summer.

Photography and the Bauhaus. Archive, pp. 4 – 25, March

Suzanne. E. Pastor.

Man Ray and Moholy-Nagy: Rayographs and Photograms

Sandra S. Philips. Arts in Virginia, vol. 25, no. 2 – 3, pp. 48-63.

1984
Projecting the Fourth Dimension: Two Constructions by Lázló [sic] Moholy-Nagy

Ruth Rattner. Bulletin of the Detroit Institute of Arts, vol. 61, no. 4, pp. 4-13.

The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney. New Haven, Conn.: Yale University Press. 467, no. 479, ill.

1983
The Romance of Commerce and Culture: Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform

James Sloan Allen. Chicago: University of Chicago Press.

Moholy-Nagy: Material, Nature, and Industry

Andreas Haus. In Stanislaus von Moos and Christiaan Smeenk, eds. Avant-garde und Industrie. Delft: University Press.

Die Trilogie der möglichen Wunder (The Trilogy of Possible Miracles)

André Heller and Ernst Bloch. Roncalli, Flic Flac, Theater des Feuers. Vienna: Medusa.

From Material to Architecture

János Brendel. Polish Art Studies, vol. 4. pp. 47-60.

Bauhaus stamp series

Masaru Katzumie. Graphic Design, vol. 3, December.

Souvenirs de Moholy-Nagy et du New Bauhaus (Memories of Moholy-Nagy and the New Bauhaus)

Nathan Lerner. Photographies, no. 3, p. 31.

Armed Vision Disarmed: Radical Formalism from Weapon to Style

Abigail Solomon-Godeau. Afterimage, vol. 10, pp. 9-14, January.

László Moholy-Nagy: Photographer

Victor Margolin. In George Walsh, Colin Naylor and Michael Held. eds. Contemporary Photographers, New York: St. Martin’s Press

1982
The Utopian Vision of Moholy-Nagy

Joseph Harris Caton. Ann Arbor: UMI Research Press.

Moholy-Nagy

Krisztina Passuth. Budapest: Corvina. Subsequent editions published in German, French, and English.

Philadelphia's Heirs to Moholy-Nagy Reject. 'Formalist' Tag

Thomas Gartside. New Art Examiner, 10 December, pp. 10 – 11.

Moholy-Nagy und der Konstruktivismus: Bemerkungen zum Verständnis (Moholy-Nagy and the Constructivists: Remarks towards an Understanding)

Harald Olbrich. Wissenschaftliche Zeitschrift der Hochschule für Architektur und Bauwesen Weimar, vol. 23, no. 56, pp. 525 – 529.

The Société Anonyme’s Brooklyn Exhibition: Katherine Dreier and Modernism in America

Ruth L. Bohan. Ann Arbor, Mich.: University of Michigan Research Press.

1981
Moholy-Nagy’s English Photography

Terence Senter. Burlington Magazine, vol. 123, pp. 659-671, November.

Bauhaus und Kinematographie: László Moholy-Nagy (1895-1946), ein Pionier des Films (Bauhaus and Cinemaphotography: Moholy-Nagy, a pioneer of films)

Klaus Lippert. Prisma, no. 12, pp. 242-254.

1980
L. Moholy-Nagy

Krisztina Passuth, and Terence A. Senter. London: Arts Council of Great Britain.

The Utopian Vision of Moholy-Nagy

Joseph Harris Caton. Ann Arbor, Mich.: University of Michigan Research Press.

Moholy-Nagy Photographie L'homme de la transperance

zoom nr. 42

1979
Visions of Totality: László Moholy-Nagy, Theo Van Doesburg, and El Lissitzky

Steven A. Mansbach. Ann Arbor, MI.: UMI Research Press.

Montagen ins Blaue: László Moholy-Nagy, Fotomontagen und Kollagen, 1922 – 1943 (Montages Out of the Blue: Moholy-Nagy Photomontages and Collages, 1922 – 1943)

Irene-Charlotte Lusk. Giessen: Anabas.

Moholy-Nagy László munkássága (The Work of László Moholy-Nagy)

László Beke. Budapest: Corvina.

Moholy-Nagy et Walter Benjamin

Krisztina Passuth. Cahiers, vol. 5, pp. 398 – 409.

László Moholy-Nagy in Leicester

Robin M. Paisey. Ars Hungarica, no.1, pp. 161 – 69.

Photography under Moholy’s Eye: A Retrospective of Work from Chicago’s Institute of Design

P. Karmel. Art in America, vol. 68, October.

Auf allen Gebieten….(In All Areas…)

László Moholy-Nagy. Form und Zweck, vol. 11. no. 3, pp. 26 – 27. Reprinted from Von Material zu Architektur, Munich, 1929.

Moholy-Nagy, László. A festéktôl a fényig (László Moholy-Nagy. From Pigment to Light)

Erzsébet Sugár, ed. Bucharest: Kriterion Könyvkiadó.

1978
Chicago Dialectic

C. A. Morrison. Artforum, vol. 16, pp. 32 – 39, February.

Beteljesûlt próféciák: Moholy-Nagy László, Festészet, fotográfia, film (Prophecies come true: László Moholy-Nagy’s Painting, Photography, Film)

László Beke. Filmkultúra, no. 5.

Moholy-Nagy: Fotos und Fotogramme (Photographs and Photograms)

Andreas Haus. Munich: Schirmer-Mosel.

1977
Moholy-Nagy Photographe: Homme de la Transparence

Zoom: le Magazine de l’Image 42, pp. 28-32, Paris.

Moholy-Nagy, László kiállítása ürügyén (On the occasion of László Moholy-Nagy’s exhibition)

Gyula Pap. Ars Hungarica, no. 1, pp. 147-150.

Bauhaus im Rückblick (Looking back at the Bauhaus)

Lucia Moholy. Du, no.3, pp. 50 – 65, 74.

László Moholy-Nagy: diseño, tecnologia, máquina, socialismo (Moholy-Nagy: design, technology, machine, socialism)

Cristina Zelich-Joan Fontcuberta. Nueva Lente, June.

László Moholy-Nagy: une technologie du sensible (László Moholy-Nagy: a Technology of Sensibility).

Maiten Bouisset. XXe Siècle, pp. 137 – 139.

Hungarian at Eton and Oxford

John Betjeman. The Times, London, 6 August.

László Moholy-Nagy, the Light-Artist

László Beke. Interpressgrafik, no. 1.

Moholy-Nagy László 1923-as Alekszandr Rodcsenkóhoz irt levele (Moholy-Nagy’s letter of 1923 to Rodchenko)

Katalin Bakos. Ars Hungarica, no. 2.

1976
Les recherches expérimentales de Moholy-Nagy pour inventer l’art du 20e siècle (The Experimental Research of Moholy-Nagy to Invent the Art of the 20th Century)

Philippe Sers. Connaissance des Arts, pp. 82 – 89, December.

Moholy-Nagy példája (Moholy-Nagy’s example)

Pál Miklós. Kritika, no. 3.

Laszlo Moholy-Nagy: Painting Photography Film

Film: color, sound, 25 minutes, by The Open University for the third level arts course, Modern Art 1848 to Present.

Moholy-Nagy és a Korunk kapcsolata (Moholy-Nagy’s relationship with Korunk)

Lajos Kántor. Valóság, December.

Photography; Chicago, Moholy and After

A. Grundberg. Art in America, vol. 64. pp. 34-35, September.

Photography; Chicago, Moholy and After

Art in America, vol. 64. pp. 34-35, September.

1975
Moholy-Nagy in England: May, 1935 – July, 1937

Terence A. Senter. A thesis submitted to the University of Nottingham for the degree of Master of Philosophy

Perhaps the Best Verdict

John Anthony Thwaites. Art and Artists, vol. 10, pp. 28 – 35, April.

The Beginnings of László Moholy-Nagy

Katalin Keseru and Júlia Szabó. New Hungarian Quarterly, vol. 16, no. 57, pp. 187 – 93.

Photography and Moholy-Nagy’s Do-It-Yourself Aesthetic

Caroline Fawkes. Studio, vol. 190. pp. 18 – 26, July-August.

1974
Moholy-Nagy: A Portfolio of Images Never Before

Renée L. Bruns. Popular Photography, August.

Konstruktivisten

Kunsthalle Basel. Reprint of the catalogue to the exhibition of 16 January-14 February 1937. The Silver Fox Press, Redding, CT.

Lászlò Moholy-Nagy: 1895 -1946. Entwurf seiner Wahrnehmungslehre (Lászlò Moholy Nagy: 1895 -1946: An Outline of His Teachings on Perception)

Hannah Steckel. Berlin: Freie Universität, Ph.D. dissertation.

Photographie als künstlerisches Experiment: Von Fox Talbot zu Moholy-Nagy (Photography as Artistic Experiment: from Fox Talbot to Moholy-Nagy)

Rotzler, Willy, and Max A. Wyss, eds. Bucher, Luzern

Photographie als künstlerisches Experiment: Von Fox Talbot zu Moholy-Nagy (Photography as Artistic Experiment: from Fox Talbot to Moholy-Nagy)

Rotzler, Willy, and Max A. Wyss, eds. Bucher, Luzern.

Tradition Of Constructivism (The Documents Of 20th-Century Art)

Stephen Bann, ed. Viking Press, New York

1973
Moholy-Nagy László fotomûvészete (László Moholy-Nagy’s Photographic Art)

Ferenc Bodri. Fotomûvészet, no.2.

The Debut of László Moholy-Nagy

Krisztina Passuth. Acta Historiae Artium, vol. 19, no. 1-2, pp. 125 – 42.

Pittori e uomini di cinema: man ray e moholy-nagy (Painters and Men of the Cinema: Man Ray and Moholy-Nagy)

Gianni Rondolino. D’Ars, vol. 14, pp. 1-21, July.

Moholy-Nagy magyarul (Moholy-Nagy in Hungarian)

Gyula Rózsa. Népszabadság, 30 September.

1972
The Young Years of Moholy-Nagy

László Péter. New Hungarian Quarterly, vol. 13, no. 46, pp. 62 – 72.

Marginalien zu Moholy-Nagy: Dokumentarische Ungereimtheiten (Moholy-Nagy, Marginal Notes: Documentary Absurdities)

Lucia Moholy. Krefeld: Scherpe Verlag.

1971
Bauhaus-ember

Gyula Rózsa. A Bauhaus-ember, The Bauhaus man. Népszabadság, 24 November.

Kinetic Solutions to Pictorial Problems: The Films of Man Ray and Moholy-Nagy

Barbara Rose, Artforum, vol. 10, pp. 56-73, September.

László Moholy-Nagy, twórczosc artistry do 1923 roku (László Moholy-Nagy: His work until 1923)

János Brendel. Studio Musealne Poznan, no. 9.

Moholy-Nagy and the Whole Man

Guy Brett. The Times, 5 July, London.

1970
Abstraction and the Bauhaus

Robert Welsh. Artforum, vol. 8, 46-51, March.

Moholy-Nagy emlékezete (In Memoriam Moholy-Nagy)

Zoltán Szelesi. Délmagyarország, 19 July.

A magyar Bauhauslerek (Hungarian Bauhaus Members)

Ida F. Mihály. Mûvészet, September.

Mighty Machine

Douglas Davis. Newsweek, 16 November 1970.

Moholy-Nagy

Richard Kostelanetz ed. New York: Praeger.

New Bauhaus, Chicago

Richard Koppe. In Eckhard Neumann, ed. Bauhaus und Bauhäusler: Bekenntnisse und Erinnerungen (Bauhaus and Bauhaus People: Confessions and Memories). Stuttgart: Hallwag Verlag.

1969
Naive Desire for the Unique

László Moholy-Nagy. Art and Artists, vol. 4, p. 30, June.

Moholy-Nagy: The Risk and Necessity of Artistic Adventurism

Richard Kostelanetz. Salmagundi, Fall 1969 – Winter 1970.

László Moholy-Nagy and His Visions

Richard Koppe. Art International, vol. 13, pp. 43-46, December.

László Moholy-Nagy: The Bauhaus Tradition

György Kepes. Print, vol. 23, pp. 35-39, January-February.

The Bauhaus: Weimar, Dessau, Berlin, Chicago

Hans Maria Wingler. Cambridge, Mass.: The MIT Press.

1968
The Bauhaus-Graphic Design

Bernard Myers. Studio, no. 176, pp. 100-107, September.

Das Bauhaus-Bild (The Bauhaus Painting)

Lucia Moholy. Werk, vol. 55, pp. 397-402, June.

No frontiers

John Halas. Studio, no. 176, pp. 108-109, September.

On Moholy’s Sculpture

Jack Burnham. In Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: Braziller.

1967
Moholy-Nagy and Light Art as an Art of the Future

Jasia Reichardt. Studio, vol. 174, p. 184, November.

Origins of Kinetic Art

George W. Rickey et al.Studio, vol. 173, pp. 65-69, February.

Light Art

Nan R. Piene. Art in America, vol. 55, pp. 24-47, May.

Totality through Light: The Work of László Moholy-Nagy

István Kovács. Form: A quarterly Magazine of the Arts, No. 6, December.

1966
Constructivism from Kasimir Malevitch to László Moholy-Nagy

Sibyl Moholy-Nagy. Arts and Architecture, vol. 83, pp. 24-28, June.

From Pigment to Light

László Moholy-Nagy. In Nathan Lyons, ed. Photographers on Photography: A Critical Anthology. Englewood Cliffs: Prentice-Hall.

Motion and the sorcerer’s apprentice

David Irwin. Apollo, vol. 84, pp. 54-61, July.

Constructivism-the European Phenomenon

Anthony Hill. Studio, no. 171, pp. 140-147, April.

1964
Le esperienze di László Moholy-Nagy

Piero Rananicchi. Siprauno, no.1, January-February.

Moholy-Nagy und das Theater (Moholy-Nagy and the Theater)

Hans Curjel. Du, vol. 24, pp. 11-15, November.

1963
Moholy-Nagy Lászlóról About László Moholy-Nagy)

Antal Kampis. Mûvészettörténeti Dokumentációs Központ Kiádványai No. 3.

1962
Moholy-Nagy nella ‘Bauhaus’ (Lazlo Moholy-Nagy of the Bauhaus)

Mario Lazlo Verdone. Bianco e Nero, no. 11.

Art construit (Constructed Art)

Michel Seuphor. XXe Siècle, vol. 24, pp. 22, June.

Bauhaus und Typografie (Bauhaus and Tyography)

László Moholy-Nagy. In Hans Maria Wingler, ed. Das Bauhaus, 1919. – 1933: Weimar, Dessau, Berlin und die Nachfolge in Chicago seit 1937. Bramsche: Rasch.

1960
Theory and Design in the First Machine Age

Reyner Banham. London: Architectural Press.

1959
Moholy-Nagy und die Idee des Konstruktivismus (Moholy-Nagy and the Idea of Constructivism)

Sibyl Moholy-Nagy. Die Kunst und das Schöne Heim, vol. 15, June.

1952
Subjektive Fotografie: Ein Bildband moderner europäischer Fotografie

Otto Steinert ed. Bruder Auer Verlag, Munich.

The Third Eye

S.P Karr.. Art Photography, vol. 4, no. 3-39, pp. 32-37. September.

1950
László Moholy-Nagy

Sibyl Moholy-Nagy. Art d’Aujourdhui, October.

Sibyl Moholy-Nagy: Photographer

Moholy-Nagy. American Photography, pp. 40-44, January.

Moholy-Nagy: Experiment in Totality

Sibyl Moholy-Nagy. New York: Harper. (Second edition, Cambridge MA: MIT Press, 1969).

1949
Notes on the Life and Work of László Moholy-Nagy

Sigfried Giedion. Painter-Universalist. Architects’ Yearbook, vol. 3, pp. 32-36.

1948
László Moholy-Nagy, Carta a Kalivoda.

Ciclo 1, p. 57. Buenos Aires.

1947
Vision in Motion

László Moholy-Nagy. Chicago: Paul Theobald.

Moholy-Nagy, Anreger und Pionier (Moholy-Nagy: Activist and Pioneer)

Arthur Gewehr. Die Fotographie, no. 2, p. 37.

Moholy

Edgar Kaufmann Jr. Arts and Architecture, vol. 64, p. 25. New York.

László Moholy-Nagy and the Chicago Institute of Design

John Leslie Martin. Architectural Review, vol. 101, pp. 225-226.

Space Modulator by Moholy-Nagy and Mobile by Calder

E.H. Payne. Bulletin of the Detroit Institute of Arts, vol. 26, no. 1, pp. 6-8.

Hess Memorial to a Many-Sided Non-Objectivist

Thomas B. Hess. Art News, vol. 46, pp. 22-23 ff. New York.

Art in Industry, Part One

László Moholy-Nagy. Arts and Architecture, vol. 64, no. 9, September.

Art in Industry, Part Two

László Moholy-Nagy. Arts and Architecture, vol. 64, no. 10, October.

The New Vision and Abstract of an Artist

László Moholy-Nagy. Wittenborn and Company, New York.

1946
Photography

László Moholy-Nagy in Dagobert D. Runes, Harry G.Schrickel eds. Encyclopedia of the Arts. New York: Philosophical Library.

Space-Time Problems in Art

László Moholy-Nagy. In American Abstract Artists Yearbook. New York: Ram Press.

Design Education

László Moholy-Nagy. Architectural Review, vol. 99, no. 589, pp. 32-33. London.

Industrial Design

László Moholy-Nagy. Parker Pen Shoptalker, June. Janesville, WI.

New Education: Organic Approach

László Moholy-Nagy. Art and Industry, no. 40, pp. 66-77. London.

László Moholy-Nagy (1895-1946) Obituary

Max Bill. Domus, no. 217, p. 46 (Italian).

The New Vision and Abstract of an Artist

László Moholy-Nagy. Wittenborn, New York, 1946. Also reprinted in 1947, 1966, 1975, and 2005.

1945
Form and Function: A Bauhaus

Rosamund Frost. Art News, vol. 44, p. 23. New York.

On Art and Photography

László Moholy-Nagy. Technology Review, vol. 47, no. 8, pp. 491-94, 518. Cambridge, MA.

Do Not Disturb

Film: color, silent, 19 minutes, by the film class of the Institute of Design under the direction of László Moholy-Nagy

In Defense of ‘Abstract’ Art

László Moholy-Nagy. Journal of Aesthetics and Art Criticism, vol. 4, no. 2, pp. 74-76. Madison, WI.

1944
Photography in the Study of Design

László Moholy-Nagy, American Annual of Photography, 1945, vol. 59. Boston

Design Workshops

László Moholy-Nagy, Film, color, silent, 34 minutes

The Coming World of Photography

László Moholy-Nagy, Popular Photography, vol. 14, no. 2. New York

In Defense of ‘Abstract’ Art

László Moholy-Nagy, Journal of Aesthetics and Art Criticism, vol. 4, no. 2, pp. 74-76. Madison, WI

1943
New Trends in Design

László Moholy-Nagy, Interiors, vol. 102, pp. 48-51

Better Than Before

László Moholy-Nagy, The Technology Review, Massachusetts Institute of Technology, vol. 46, no. 1, November

Space-Time and the Photographer

László Moholy-Nagy, American Annual of Photography, 1942. vol. 56, no. 152, pp. 158-164. Boston

Surrealism and the Photographer

László Moholy-Nagy, The Complete Photographer, vol. 9, no. 52. New York

Industrial Design

László Moholy-Nagy, Interiors, vol. 102, pp. 52-53

Are You Contemporary?

Robert M. Yoder, Saturday Evening Post, vol. 216, 3 July

1942
Materials for the Camoufleur

John L. Scott, with L. Moholy-Nagy and Gyorgy Kepes, Civilian Defense, p.12 ff. September

1941
Education in Various Arts and Media for the Designer

László Moholy-Nagy, In Guy Montrose Whipple, ed. National Society for the Study of Education, The fortieth yearbook; Art in American Life and Education. Bloomington IL: Public School Publishing

Design in Modern Theory and Practice

László Moholy-Nagy, California Arts and Architecture, vol. 58, no. 21, pp. 35-36. Los Angeles

New Trends in Design

László Moholy-Nagy, Task, no. 1. New York

The Photography of Moholy-Nagy

Beaumont Newhall, Kenyon Review, vol. 3, pp. 344-351

1940
Photography

László Moholy-Nagy, In Ansel Adams, A Pageant of Photography, pp. 23-24. San Francisco: Crocker Union

"Work of the Camouflage Class,” 22 minutes, “Student Exhibition #1,” 9 minutes, “Student Exhibition #2,” 6 minutes, “Children’s Workshop,” 3 minutes, “Interview with Students,” 3 minutes

László Moholy-Nagy, Five short silent, color films about the School/Institute of Design by László Moholy-Nagy 1940-1944

Objectives of a Designer Education

László Moholy-Nagy, In Proceedings: Conference on the Expansion of Industrial Communities with Regard to Housing and City Planning, February 2-3. Ann Arbor: University of Michigan College of Architecture and Design

About the Elements of Motion Picture

László Moholy-Nagy, Design Magazine, vol. 42, p. 13 ff

Make a Light Modulator

László Moholy-Nagy, Minicam, vol. 3, no. 7. Cincinnati

1939
Bauhaus Education

László Moholy-Nagy, In Martin Schutze, Byrdcliffe Afternoons: A Series of Lectures Given at Byrdcliffe, Woodstock, NY, July. New York: Overlook Press

New Bauhaus: American School of Design, Chicago

László Moholy-Nagy, Design Magazine, vol. 40, pp. 19-21

Making Photographs without a Camera

László Moholy-Nagy, Popular Photography, vol. 5, no. 6, pp. 30, 167-169. December

1938
An Oxford University Chest

John Betjeman, London: John Miles. Illustrated with photographs by Moholy-Nagy

Typography Technique

László Moholy-Nagy, Paper and Printing Digest, vol. 4, no. 1, pp. 2 – 5

From Wine Jugs to Lighting Fixtures

László Moholy-Nagy, In Herbert Bayer, Walter Gropius, and Ise Frank Gropius, eds. Bauhaus, 1919 – 1928. New York: Museum of Modern Art

Education and the Bauhaus

László Moholy-Nagy, Focus, no. 2, pp. 20-27. London

New Approach to Fundamentals of Design

László Moholy-Nagy, More Business, vol. 3, no. 11, pp. 4-6. Chicago

Why Bauhaus Education?

László Moholy-Nagy, Shelter, no. 3, pp. 6-21. Philadelphia

The Chicago Bauhaus and Moholy-Nagy

Emanuel Mervir Benson, Magazine of Art, no. 31, pp. 82-83

The New Bauhaus: A Program for Art Education

Ruth Green Harris, New York Times, 29 May, part 10, p. 7

1937
Photograms are the Key to Real Camera Art says L. Moholy-Nagy

Photography, vol. 5, no. 54, p. 1. London, February

Old in New

Time Magazine, p. 41, October 25

Construction: Dead or Alive

Transition: A Quarterly Review, no. 26, pp. 195-208

An Academy for the Study of Light

Transition: A Quarterly Review, no. 26, pp. 113-117

Moholy-Nagy, Picture Hunter, Looks at the Paris Exposition

László Moholy-Nagy, Architectural Record, vol. 82, number 4, pp. 92-93. October

The New Bauhaus and Space Relationship

László Moholy-Nagy, American Architect and Building News, no. 151, pp. 22 – 28. New York

Richtlijnen voor een onbelemmerde kleuren-fotografie (Guidelines for a freed color photography)

László Moholy-Nagy, Prisma der Kunsten, pp. 100-105, February

The Tinsel and the Glamour

László Moholy-Nagy, Fortune magazine, pp. 138-139. November

1936
The Street Markets of London

Mary Benedetta, London: John Miles. Photographic illustrations by Moholy-Nagy

Lobsters

László Moholy-Nagy, Film, black/white, music and voice-over, 16 minutes

Lobsters

László Moholy-Nagy, Film, black/white, silent, with intertitles, 16 minutes

The New Architecture of the London Zoo

László Moholy-Nagy, Film, black/white, silent with titles, 16 minutes

Claudia

László Moholy-Nagy, Film, black/white, silent, 16 minutes

Light Architecture

László Moholy-Nagy, Industrial Arts, vol. 1, no. 1, pp.15-17. London

Photography in a Flash

László Moholy-Nagy, Industrial Arts, Vol. 1, no. 4, pp. 294-303. London

Photographers of Today

László Moholy-Nagy, Modern Photography, p. 16. London

Subject without Art

László Moholy-Nagy, Studio, no. 12, p. 259. London

A felszabadult színfényképezés felé (Towards Liberated Color Photography

László Moholy-Nagy, Korunk, no 12, pp. 1014-17. Kolozsvár

Telehor (Moholy-Nagy issue)

Frantisek Kalivoda, vol. 1. Brno

Light Painting

László Moholy-Nagy, In John Leslie Martin, Ben Nicholson, and Naum Gabo, eds. Circle: International Survey of Constructive Art. London: Faber and Faber

Portrait

Bernard Eton Fergusson, London: John Miles. Photographic illustrations by Moholy-Nagy

Modern Art and Architecture

László Moholy-Nagy, Journal of the Royal Institute of British Architects, Series 3, vol. 44, no. 5, pp. 209 – 219

László Moholy-Nagy

Walter Gropius, Korunk, pp. 244 – 46. Kolozsvár

The New Bauhaus

László Moholy-Nagy, Architectural Forum, vol. 67, supp. 22, 82. New York

1935
A képtôl a fényarchitektúraig (From Pictures to Light Architecture)

László Moholy-Nagy, Korunk, vol. 10, no. 6. Kolozsvár

Hangosfilm-színesfilm, és azután? (Sound Film-Color Film, and Then?)

László Moholy-Nagy, Korunk. Vol. 10, no 11. Kolozsvár

1934
Offener Brief an die Filmindustrie und an Alle, die Interesse an der Entwicklung des guten Fims haben (Open Letter to the Film Industry and to All Who are Interested in the Development of Good Film)

László Moholy-Nagy, Ekran. Vol. 1, 15 November. Brno

New Eyes for Old

Philip Morton Shand, Architectural Review, vol. 75, January

Hattula

László Moholy-Nagy, Film, black/white, silent, 18 minutes

Een Manifest van Moholy Nagy voor de Avant-Garde

László Moholy-Nagy, Filmfront, nos. 19 and 20, pp. 16-17. Amsterdam, September

An Interview with L. Moholy-Nagy

Elisabeth Augustin, Official Organ of the Association for Publicity, no. 12. Amsterdam, Netherlands

Formes Nues

Albert Mentzel and Albert Roux, Editions d’Art Graphique et Photographique, Paris

1933
How photography revolutionizes vision

László Moholy-Nagy. The Listener, 8 November. London.

Bevezetô Molnár Farkas munkaihoz (Introduction to the Work of Farkas Molnár)

László Moholy-Nagy. Budapest

Új filmkísérletek (New Film Experiments)

László Moholy-Nagy. Korunk, vol. 8, no. 3, p. 231ff. Kolozsvár.

Természet és technika (Nature and Techology)

László Moholy-Nagy. Korunk, vol. 8, no. 5.

A festéktôl a fényig (From Pigment to Light)

László Moholy-Nagy. Korunk, vol. 8, no. 10, pp. 231-37. Kolozsvár.

A fotográfia: napjaink objectiv látási formája (The objective vision of our day)

László Moholy-Nagy. Korunk, vol. 8, no. 12, pp. 911-913. Kolozsvár.

Der Beste Filmeinfall: Moholy-Nagy

László Moholy-Nagy. Berliner Börsen-Courier, nr. 1, January 1

1932
Einleitung zum Vortrag-Malerei und Fotografie-Köln Dezember 1931 (Introduction to a lecture-Painting and Photography, Cologne, December 1931)

László Moholy-Nagy. A bis Z, vol. 23, p. 89

Réponses aux questions (Replies to questions)

László Moholy-Nagy. Abstraction-Création Art nonfiguratif, nos. 1-2, 1932-1933. Paris

Photographs

László Moholy-Nagy. Advertising Arts, May

Probleme des neuen Films (Problems of the new film)

László Moholy-Nagy. Die Form, vol. 7, no.5, pp. 155-159. Berlin

Festézet és fényképészet (Painting and Photography)

László Moholy-Nagy. Korunk, vol. 7, no. 2, pp. 104-105. Kolozsvár

Notice of photography exhibition at the Julien Levy Gallery, New York

László Moholy-Nagy. Advertising Arts, May.

A film új lehetôségei (Fekete, fehér és szürke filmjáték) (New Film Possibilities. Lightplay black white gray)

László Moholy-Nagy. Munka, no. 24, pp. 685-87. Budapest.

8 Fotomontage

Laszlo Moholy-Nagy. Social Kunst, no. 1. Oslo

1931
Fényjáték-film (Light Display Film)

László Moholy-Nagy. Korunk, no. 12, pp. 866-67. Kolozsvár.

Modern Photography: The Special Autumn Number of “The Studio"

The Studio London. Photograph by Moholy-Nagy on p. 72

Appreciation. Qualität: Ware und Werbung

Hugo Winkler. Zeitschrift für wirtschaftlich Bildung und Qualitätsproduktion, 9, no. 1-2, pp. 8-20. Moholy-Nagy issue

1930
60 Fotos

Franz Roh, Laszló Moholy-Nagy. Berlin: Klinkhardt and Biermann

Das Deutsche Lichtbild: Jahresschau 1930

Verlag Robert & Bruno Schultz. Photographs by Moholy-Nagy on pages 23 and 76. Berlin

L. Moholy-Nagy and His Theories of Photography

Potamkin, Harry Alan. American Photography, vol. 24, no. 5, pp. 254-256. May

Lichtrequisit einer elektrischen Bühne (Light Prop for an Electric Stage)

László Moholy-Nagy. Zeitschrift für gestaltende Arbeit, vol. 5. pp. 297-299, June. Berlin

Typographie-wohin geht die typografische Entwicklung? (Typography – where is typographical development heading?)

László Moholy-Nagy. Heinz and Bodo Rasch eds. Gefesselter Blick: 25 kurze Monografien und Beiträge über neue Werbegestaltung. Stuttgart: Verlag Zaugg.

A szelet-embertôl az egész emberig (From Segmental Man to Total Man)

László Moholy-Nagy. Korunk, vol. 5, no. 2. Kolozsvár

Az új film problémái (Problems of the new film)

László Moholy-Nagy. Korunk, vol. 5, no. 10, pp. 712-19. Kolozsvár

Moholy-Nadzsi [sic], a modern mûvészetek és tudományok professzora (Moholy-Nadzsi, the Professor of Modern Arts and Sciences)

Imre Pán, Lantos Magazin, pp. 123-25. Budapest

A fényképezô ember (The Photography Man)

Máriusz Rabinovszky. Magyar Mûvészet, pp. 641-46. Budapest

The New Vision

László Moholy-Nagy. Brewer, Warren and Putnam, Inc. New York

1929
Von Material zu Architektur (From Material to Architecture)

László Moholy-Nagy. Bauhaus Book 14, Munich: Langen

Confession: In Answer to Your Interview

László Moholy-Nagy. The Little Review, no. 12, May. New York

Impressionen vom alten marseiller Hafen [Vieux Port] (Impressions of the old Marseilles Harbor [Vieux Port])

László Moholy-Nagy. Film, black/white, silent, 9 minutes

The Future of the Photographic Process

László Moholy-Nagy. Transition, 15 February. pp. 289-293. Paris

Die Optik in Tonfilm (Optics in Sound Film)

László Moholy-Nagy. Film und Volk, no. 3, July. Berlin

Das Kind des Anderen (Someone else’s child)

László Moholy-Nagy. Filmkroniek (movie review). i10 Internationale Revue, vol. 2, no. 17/18, pp. 118-119. Amsterdam

Johanna von Orleans (Joan of Orleans)

László Moholy-Nagy. Filmkroniek (movie review). i10 Internationale Revue, vol. 2, no. 17/18, pp. 119-120. Amsterdam

Sturm über Asien (Storm over Asia)

László Moholy-Nagy. i10 Internationale Revue, vol. 2, no. 19. Filmkroniek (movie review). Amsterdam

Scharf oder unscharf? (Sharp or Fuzzy?)

László Moholy-Nagy. i10 Internationale Revue, vol. 2, no.20, pp. 163-67. Amsterdam

Fotogramm und Grenzgebiete (Photogram and Frontiers)

László Moholy-Nagy. Die Form, vol. 4, no. 10. Berlin

Experimentale Fotografie (Experimental Photography)

László Moholy-Nagy. Das Neue Frankfurt, no. 3. Frankfurt

Jeszcze o elementach (Once more about the elements)

László Moholy-Nagy. Praesens, no. 2, pp. 157-165. Warsaw

La photographie ce qu’elle était, ce qu’elle devra être (What photography has been and what it must become)

László Moholy-Nagy. Cahiers d’Art, vol. 4, no. 1, pp. 29-30. Paris

Az ember és a háza (Man and His House)

László Moholy-Nagy. Korunk, vol. 4, no. 4, pp. 298-299. Kolozsvár.

Photographie der Gegenwart und wir! (Photography of the Present and Us!)

László Moholy-Nagy. Photofreund, no. 24, pp. 480-481

Der Sinne der modernen Photographien. Ein Vortrag von Professor Moholy-Nagy (The Meaning of Modern Photographs. A Lecture by Professor Moholy-Nagy)

H. Starke. Berliner Tagesblatt, no. 44

Die ‘entfesselte’ Kamera’ und die ‘produktive Photographie’. Zu den Ideen von Professor Moholy-Nagy (The ‘unchained’ camera and ‘productive photography.’ On the ideas of Professor Moholy-Nagy)

Willy Warstatt. Deutscher Kamera-Almanach

1928
Fotografie ist Lichtgestaltung (Photography is Design with Light)

László Moholy-Nagy. Bauhaus, vol. 2, no. 1, pp. 2-9. Dessau

Der sprechende Film (The Talking Film)

László Moholy-Nagy. i10 Internationale Revue, vol. 2, no. 15. Amsterdam

Zu den Fotografien von Florence Henri (On Florence Henri’s Photography)

László Moholy-Nagy. i10 Internationale Revue, vol. 2, nos. 17-18. Amsterdam

Neue Wege in der Photographie (New Paths in Photography)

László Moholy-Nagy. Photographische Rundschau, vol. 65, pp. 33-36. Halle

A fénykepezés megújulása (The Rebirth of Photography)

László Moholy-Nagy. Munka, no. 2. Budapest

Elementare Buchtechnik (Elementary Book Technology)

László Moholy-Nagy. Europäische Buchkunst der Gegenwart, Verlag Rudolf Schick & Co. Leipzig

1927
A jövô színháza a teljes színház (Total Theater is the Theater of the Future)

László Moholy-Nagy. Dokumentum, March, pp. 6-7. Budapest

Wie soll das Theater der Totalität verwirklicht werden (How the total theater should be realized)

László Moholy-Nagy. Bauhaus, no. 3, p. 6. Dessau

Die beispiellose Fotografie (Unparalleled Photography)

László Moholy-Nagy. i10 Internationale Revue 1, no. 3. Amsterdam

Die Photographie in der Reklame (Photography in the Advertisement)

László Moholy-Nagy. Photographische Korrespondenz 63. September. Vienna

Eine Programmandeutung für fotografische Arbeit (A Suggested Program for Photographic Work)

László Moholy-Nagy. Führer 1/DAV, pp. 19-23. Berlin

Diskussionsbeitrag zu Kállais Artikel ‘Malerei und Photographie’ (Contribution to the Debate about Kallai’s Article, ‘Painting and Photography’)

László Moholy-Nagy. i10 Internationale Revue 1, no. 6, pp. 233-234. Amsterdam

1926
Ismus oder Kunst (Isms or Art)

László Moholy-Nagy. Vivos Voco, 5, September

Fotoplastische Reklame/Fotogramm/Das Fotogramm in der Werbe-gestaltung (Photoplastic Advertisements/ Photograms/ The Photogram in Advertising Design)

László Moholy-Nagy. Offset-, Buch und Werbekunst, no. 7

Geradlinigkeit des geistes-Umwege der Technik (Directness of the Mind-Technological Detours)

László Moholy-Nagy. Bauhaus 1, no. 4

Typophoto

László Moholy-Nagy. Pásmo 2, no. 1, pp. 16-17. Brno

1924
A nagyváros dinamikája. (Dynamic of the Big City)

László Moholy-Nagy. Ma, September

Theater, Zirkus, Varieté (Theater, Circus, Variety)

László Moholy-Nagy. In Oskar Schlemmer, Moholy-Nagy and Farkas Molnár, Die Bühne im Bauhaus, Bauhaus Book 4, Munich: Langen

Die Arbeit der Bauhaus Werkstatten (The Work of the Bauhaus Workshops)

László Moholy-Nagy.

Die Arbeit des Staatlichen Bauhauses (The Work of the State Bauhaus)

Moholy-Nagy and George Muche. Thuringer Allgemeine Zeitung, 19 October

Malerei, Fotografie, Film (Painting, Photography, Film)

László Moholy-Nagy. Bauhaus Books 8. Munich: Langen

Das Bauhaus in Dessau

László Moholy-Nagy. Qualität, pp. 4-5, May-June

Bauhaus und Typografie

László Moholy-Nagy. Anhaltische Rundschau, 14 September

Kunstbetrachtung = Weltbetrachtung (View of Art = View of the World)

László Moholy-Nagy. Offset Buch- und Werbekunst, no. 6

Richtlinien für eine synthetische Zeitschrift (Guidelines for a Synthetic Newspaper)

László Moholy-Nagy. Pásmo, vol. 1, no. 5-6. Brno

Zeitgemässe Typographie-Ziele, Praxis, Kritik (Contemporary typography: Goals, Practice, Criticism)

László Moholy-Nagy. In Gutenberg Festschrift zur Feier des 25 Jährigen Bestehens des Gutenbergmuseum in Mainz (Gutenberg Festschrift for the Celebration of the 25 Year Existence of the Gutenberg Museum in Mainz). Mainz: Gutenberg- Gesellschaft

Die Bühne im Bauhaus (The Theater of the Bauhaus)

Oskar Schlemmer, László Moholy-Nagy and Farkas Molnár. Bauhaus Book 4. Albert Langen, Munich

Malerei Fotografie Film (Painting Photography Film)

László Moholy-Nagy. Bauhaus Book 8. Albert Langen, Munich

1923
Nyilatkozat (Declaration)

László Moholy-Nagy, Ernô Kállai, Alfréd Kemény, and László Péri. Egység, 10 February, p.15

Neue Gestaltung in der Musik. Möglichkeiten des Gramophons. (New Form in Music. Possibilities of the Phonograph)

László Moholy-Nagy. Der Sturm, no. 7

Light-A Medium of Plastic Expression

László Moholy-Nagy. Broom: An International Magazine of the Arts, no. 4, pp. 224-25, 240-41, 283-84, March

Die neue Typographie (The New Typography)

László Moholy-Nagy. In Staatliches Bauhaus Weimar 1919-23, Weimar, Munich: Bauhausverlag, Cologne: Karl Nierendorf

1922
Új mûvészek k&oumlnyve / Buch neuer Künstler (Book of New Artists)

Kassák Lajos and László Moholy-Nagy. Vienna: I. Fischer

Vita az új tartalom és az új forma problemájárol (Problems of new content and new form)

László Moholy-Nagy. Akasztott Ember, pp. 3-4, 20 December

Dynamisch-Konstruktives Kräftesystem: Manifesto der kinetischen Plastik (The Constructive Dynamic System of Forces: Manifesto of Kinetic Sculpture)

László Moholy-Nagy and Alfréd Kemény. Der Sturm, no. 13, pp. 9-12; no. 14, p. 7

Produktion-Reproduktion (Production-Reproduction)

László Moholy-Nagy. De Stijl vol. 5, pp. 98-100

1921
Képesk&oumlnyv (Picture book)

László Moholy-Nagy. Horizont 2. Vienna: Ma

Aufruf zur elementaren Kunst – an die Künstler der Welt! (A Call to Elementary Art – to the Artists of the World!)

László Moholy-Nagy, Raoul Hausmann, Hans Arp and Ivan Puni. De Stijl, 4 October

1919
A csodálatos angol tánczcsoport (The Wonderful English Dance Troupe)

László Moholy-Nagy. A Hét, pp. 351-354. Budapest

1918
Versek

László Moholy-Nagy. Two poems, Jelenkor, vol. 1, no. 3-4. Budapest

Fodor László novellái (Review of László Fodor’s short stories)

László Moholy-Nagy. Jelenkor, Vol. 1, no. 3-4. Budapest

Paizs Elemér, Agglegény Pinterics

László Moholy-Nagy. Jelenkor, vol. 1, no. 3-4. Budapest

Találkozás (Meeting)

László Moholy-Nagy. Jelenkor, vol. 2, no. 5, pp. 138-141. Budapest

Garami árpád versei (Review of árpád Garami’s poems)

László Moholy-Nagy. Jelenkor, vol. 2, no. 5, pp. 159-160. Budapest

Versek (Poems)

László Moholy-Nagy. Jelenkor, vol. 2, no. 6, pp. 171-173. Budapest

Török Gyula: A zöldköves gyûrû (Review of The Ring with the Green Stone by Gyula Török)

László Moholy-Nagy. Jelenkor, vol. 2, no. 6, pp. 187-189. Budapest

A csodálatos angol tánczcsoport (The Wonderful English Dance Troupe)

László Moholy-Nagy. A Hét, pp. 351-354. Budapest

1917
Maris (Mary)

László Moholy-Nagy. Jelenkor, vol. 1, no. 1, pp. 7-10, Budapest

1912
Szegedi Napló

László Moholy-Nagy. Poem, 3 December, Szeged

1911
Szegedi Napló

László Moholy-Nagy. Poem, 6 October, Szeged