BIBLIOGRAPHY
2017
László Moholy-Nagy, Der Kaufmann von Berlin. Dorn (editor), Anja, Materialien zu Ausstellungsdesign und Szenografie 3. Staatliche Hochschule für Gestaltung Karlsruhe, Karlsruhe. Germany.
László Moholy-Nagy: Experimental Utopian Ahead of His Time. Eliel, Carol S., and Deirdre O’Dwyer, Insider, Los Angeles County Museum of Art, vol. 11, no. 1, pp. 16-23. Winter.
A “Tahiti Madonna” III/3. Moholy-Nagy László Szegedi Muzsája. (The Tahiti Madonna: László Moholy-Nagy’s Szeged Muse) Szabó, Tamás, Szeged, Vol. 29, no. 1, pp. 16-24. January.
Tahiti Madonna: A Napfény Várósában (Tahiti Madonna: Sunlight in the City). Varaljai, Anna, Artmagazin 94, vol. 15, no. 2.
2016
Konkreter Faktor. Catalog to the exhibition , Thomas, Angela (editor). Haus Bill, Zumikon, Switzerland.
Future Present, Vision and Precision in a Fluid Braid. Smith Roberta, The New York Times, May 26.
The Future Looked Bright: A Moholy-Nagy Retrospective , Schjeldahl Peter. The New Yorker, June 6 and 13 issue.
The Making of Chicago’s Moholy-Nagy , Reiss, Dawn. Chicago Architect September/October, pp. 20-21.
A jövő jelen időben: Moholy-Nagy László-kiállítás New Yorkban (The Future Present in Time: László Moholy-Nagy exhibition in New York) , Iguchi, Toshino. Új Művészet, August, pp. 8-11.
Az utópista modernista (The utopian of modernism) , Emöd Péter. hvg magazin, pp. 53-54. May 19.
The Artist as Producer: A Critical Look at “Moholy-Nagy: Future Present” at the Art Institute of Chicago , Eisenman, Stephen J. Newcity 2016 The Best of Chicago.
Moholy-Nagy László emléktabla előtt (In Front of László Moholy-Nagy’s memorial plaque). Apró, Ferenc, Szeged, vol. 28, no. 11, p.1. November.
A “Tahiti Madonna” II/1. (The Tahiti Madonna). Szabó, Tamás, Szeged, Vol. 28, no. 11, pp. 2-15. November.
A “Tahiti Madonna” III/2. Moholy-Nagy László Szegedi Muzsája. (The Tahiti Madonna: László Moholy-Nagy’s Szeged Muse). Szabó, Tamás, Szeged, Vol. 28, no. 12, pp. 17-25. December.
2015
Education of the Senses in the Era of Technology: László Moholy-Nagy and György Kepes , Rejniak-Majewska, Agnieszka. In A Machine for Communicating: Around the Avant-Garde Idea of New Typography, pp. 177-192. Muzeum Sztuki, Lódz.
New Vision – the Language of Modern Typography 1925-1943 , Kurc-Maj, Paulina. In A Machine for Communicating: Around the Avant-Garde Idea of New Typography, pp. 453-471. Muzeum Sztuki, Lódz.
László Moholy-Nagy , Hacking, Juliet. Lives of Great Photographers. Thames & Hudson, London. 1931
The Paintings of Moholy-Nagy: The Shape of Things to Come , Tsai, Joyce. Santa Barbara Museum of Art and Yale University Press, New Haven and London.
The Bauhaus in Chicago: László Moholy-Nagy’s Schools , Windsor, Lynn Martin. Caxtonian 22(8):1-9, 12. Chicago. August.
2014
Sensing the Future: Moholy-Nagy and the New Media , Botar, Oliver A.I. Lars Mueller Verlag, Zurich, Switzerland, 2014. English and German editions.
Sehen in Bewegung , László Moholy-Nagy. German edition of Vision in Motion, 1947. Stiftung Bauhaus Dessau, Dessau, Germany, 2014.
2013
Images in Exile: Lucia Moholy’s Bauhaus Negatives and the Construction of the Bauhaus Legacy , Schuldenfrei Robin. In History of Photography, Volume 37, No. 2, pp. 182-203 (May).
“Transparency and Light, Structure and Substance”: Enamel Paints in László Moholy-Nagy’s Z VII (1926) , Tsai, Joyce, Jay Krueger, and Christopher Maines. Journal of the American Institute for Conservation 52(4):236-245.
László Moholy-Nagy: Vision in Motion , Karakosta, Lila. Skene 5:76-85. (In Greek)
Telehor: La Tele Visión de László Moholy-Nagy , Gutman, Marcelo. Mix, Año 1, no. 3, Julio.
Breuer’s Furniture, Moholy-Nagy’s Photographic Paradigm, and Complex Gender Expressivity at the Haus am Horn , Toth, Edit. Grey Room, vol. 50, pp. 90-111. Massachusetts Institute of Technology, Winter.
The Myth Reversed: Perspectives of László Moholy-Nagy , Fore, Devin. In Realism after Modernism: The Rehumanization of Art and Literature, pp. 21-74. October Books, MIT Press, Cambridge, MA and London, England.
László Moholy-Nagy: Things to Come, 1936-2013 , Lurie, Aya and Jan Tichy. In La Città Nuova Oltre Sant’ Elia, pp. 91-95. Silvana Editoriale, Milano.
The Third Coast: When Chicago Built the American Dream , Thomas Dyja. The Penguin Press, USA (April, 2013).
2012
Assimilating Unease: Moholy-Nagy and the Wartime/Postwar Bauhaus in Chicago , Schuldenfrei Robin. In Atomic Dwelling: Anxiety, Domesticity, and Postwar Architecture. Edited by Robin Schuldenfrei (London: Routledge / Taylor and Francis).
Chicago Makes Modern: How Creative Minds Changed Society , Jacob, Mary Jane, and Jacquelynn Baas, editors. School of the Art Institute of Chicago and University of Chicago Press, 2012.
Telehor: l. Moholy-Nagy. 2 Volumes , Gruber, Klemens, and Oliver A.I. Botar, editors. Lars Müller Publishers, Zurich. Reprint of the 1936 publication with a commentary volume.
Foto/Photo , Bauhaus: Die Zeitschrift der Stiftung Bauhaus Dessau, Issue 4, December.
Bauhaus & Film , Tode, Thomas, editor. Maske und Kothurn: Internationale Beiträge zur Theater-, Film-, und Medienwissenschaft., 56. Jahrgang, Heft 1-2. Böhlen Verlag, Vienna.
Die Realität des Bildes/The Reality of the Image , Jäger, Gottfried. Bauhaus: Die Zeitschrift der Stiftung Bauhaus Dessau, pp. 24-36. Ausgabe 4, December.
László Moholy-Nagy und die Fotografie aus der Vogelschau/László Moholy-Nagy and bird’s eye view photography , Brons, Franziska. Bauhaus: Die Zeitschrift der Stiftung Bauhaus Dessau, pp. 73-82. Ausgabe 4, December.
When Moholy Met Margaret: How the Bauhaus Shaped the American Studio Jewelry Movement , Ilse-Newman, Ursula. Views: Museum of Arts and Design, pp. 8-10. Spring.
From Bauhaus to Arthouse , Christie, Ian. Sight & Sound: The International Film Magazine, vol. 22, no. 6, pp. 12-13. June.
The Myth Reversed: Perspectives of László Moholy-Nagy Devin Fore. Realism after modernism : the rehumanization of art and literature. pp. 21-74. October Books, MIT Press, Cambridge, MA and London, England
2011
Rooms of Our Time: László Moholy-Nagy and the Stillbirth of Multi-Media Museums Noam M. Elcott. In Screen/Space, edited by Tamara Trodd, pp. 25-52. Manchester: Manchester University Press.
A fény müvészete: Moholy-Nagy László kiállitása (The Art of Light: Exhibition of László Moholy-Nagy) Zsuzsanna Kemenesi. Úi Müvészet, vol. 22, no. 7, pp. 12-14. Budapest.
60 Fotos Franz Roh. Klinkhardt & Biermann, Berlin. (reprint of the 1930 edition) D.A.P., New York.
Moholy-Nagy László Krisztina Passuth. Fapadoskonyv, Budapest. (reprint of the 1982 edition)
Moholy-Nagy László Katonaévei (László Moholy-Nagy’s Army Years) Levente Nagy. artmagazin vol. 9, no. 44, p. 58-61, Budapest.
Moholy-Nagy László: Új Viszonylatok (New Relations) ed. Emese Kürti. Ludwig Múzeum Baráti Köre Egyesület, Budapest.
Telehor (reprint of the 1936 edition) ed. Frantisek Kalivoda. vol. 1, no. 1-2, February 28, Brno.
2010
László Moholy-Nagys Syntheseskonzept von 1922. (Moholy-Nagy’s Synthetic Concept of 1922.) Oliver A. I. Botar. Bauhaus Global, pp. 81-93. Gebruder Mann Verlag, Berlin.
Luce e Movimento / Light and Movement Grzegorz Musial, Franck Marlot. Signum Foundation, Venice.
La nueva form en la música, El teatro total es el teatro del futura, Carta abierta a la industría cinematográfica y a todos aquellos interesados en el desarrollo del buen cine, and Una propuesto László Moholy-Nagy transalted by Esther Ramón. Minerva, vol. IV, no. 15, pp. 9-22.
Proceedings of the symposium “László Moholy-Nagy: Translating Utopia into Action,” Guest editors Oliver A. I. Botar and Hattula Moholy-Nagy. Hungarian Studies Review, Volume XXXVII, Nos. 1-2 (2010) Special Issue.
Sigfried Giedion und die Fotografie: Bildinszenierungen der Moderne ed. Werner Oechslin and Gregor Harbusch. gta Verlag, ETH Zurich, Zurich.
Moholy-Nagy: Mentor to Modernism Lloyd C Engelbrecht with essays by Hattula Moholy-Nagy and Regan Brown. Flying Trapeze Press, Cincinnati, Ohio. (2 volumes)
Hungarians at the Bauhaus Krisztina Passuth. Hungarian Quarterly, vol. LI, no. 200, pp. 106-115, Budapest.
2009
For Moholy: Zero, Light Sculptures, and Light Spaces Otto Piene. Bauhaus: A Conceptual Model, catalogue for the exhibition, pp. 276-278. Hatje Cantz Verlag, Ostfildern, Germany.
On the ‘Beautiful’ and ‘Strong’ Sexes at the Bauhaus: Marianne Brandt, Gender, and Photomontage Elizabeth Otto. Bauhaus: A Conceptual Model, catalogue for the exhibition. Bauhaus-Archiv Berlin, Klassik Stiftung Weimar, and Stiftung Bauhaus Dessau. Ostfildern: Hatje Cantz Verlag, 2009, 291-294.
A ‘Schooling of the Senses’: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt Elizabeth Otto. New German Critique 107: Summer, 2009, 89-131.
László Moholy-Nagy as the Lodestar of a New Art Form Floris M. Neusüss and Renate Heyne. Bauhaus: A Conceptual Model, catalogue for the exhibition, pp. 211-214. Hatje Cantz Verlag, Ostfildern, Germany.
A Life of Light and Shadow Alice Rawthorn. New York Times, 18 October.
László Moholy-Nagy Marcelo Gutman. Dj. La Pupila, vol. 2, no. 2, pp. 22-26.
Camoupedia: A Compendium of Research on Art, Architecture and Camouflage Roy R. Behrens. Bobolink Books, Dysart, Iowa.
2008
László Moholy-Nagy und die Schicksalsfrage der Malerei Joyce Tsai. Form & Gesellschaft: Symposium zur Ausstellung “köln progressiv 1920-33.” Museum Ludwig, Koln.
Filmvázlatból mozi: A nagyváros dinamikája Aline Heimcke, Frédéric Krauke, and Andreas Haus. Utóirat Post Scriptum vol. 8, no. 43, pp. 16-23. Budapest.
Films by László Moholy-Nagy Oliver Botar. Journal of the Society of Architectural Historians, vol. 67, no. 3, pp. 460-462. September.
Moholy-Nagy László: Film epítész Olivér Botár. Utóirat/Post Scriptum vol. 8, no. 43, pp. 4-8. Budapest.
2007
László Moholy-Nagy M. J. Thompson. Border Crossings: A Magazine of the Arts, vol. 26, no. 1, pp. 84-86.
The Origins of László Moholy-Nagy’s Biocentric Constructivism Oliver A. I. Botar. Signs of Life, edited by Eduardo Kac, pp. 315-344. The MIT Press, Cambridge, MA.
Transparency and the Irreconcilable Contradictions of Modernity Eva Blau. Praxis, no. 9, pp. 50-59.
Laszlo Moholy-Nagy and Simon Starling Helga Pakasaar. arts alive on the north shore 12 (2): 19.
Marguerite Wildenhain and the Bauhaus: An Eyewitness Anthology ed. Dean & Geraldine Schwartz. South Bear Press, Decorah, Iowa.
Eine Galalithplatte als Gestaltungsmedium und Bildträger im Werk “Composition G 4” von László Moholy-Nagy Annette Schulz-Marty. ZKK: Zeitschrift für Kunsttechnologie und Konservierung, vol. 21, no. 1, pp. 33-37.
Considerable Sway: The Visionary Art and Practice of László Moholy-Nagy Richard Woodward. Photo Eye, pp. 53-55. Summer.
die neue linie, 1929-1943: das bauhaus am kiosk Patrick Rössler. Bauhaus-Archiv, Berlin, and Kerber Verlag, Bielefeld, Germany.
2006
Biology and the Bauhaus Paul Anker. Tate Etc. no. 6, pp. 43-55. Spring.
The Gesamtwerker Stuart Bailey. Tate Etc. no. 6, pp. 58-60. Spring.
Filmische Sinneserweiterung: László Moholy-Nagys Filmwerk und Theorie Jan Sahli. Marburg: Schüren Verlag.
Bauhaus at the Zoo Peder Anker. Nature, v. 439, p. 916, 23 February.
When the Sky Was the Limit Mark Hudson. Daily Telegraph, 25 February.
Moholy-Nagy, a háborús tudósító (Moholy-Nagy, the war correspondent) Edit Inotai. Népszabadság, p. 11, 4 July.
Lost in Translation Jonathan Jones. The Guardian, pp. 18-20, 7 March.
Moholy-Nagy im neuen Licht: Farbfotografien als Künstleriches Medium Enno László Kaufhold. Photo News, 18. Jahrgang, nr. 7/8, p. 8, July/August.
Design for Living Hugh Pearlman. New Humanist, March-April.
Dynamik der Gross-Stadt: ein filmisches Experiment nach László Moholy-Nagy Andreas Haus et al. Universität der Künste Berlin. Film in black/white, silent, 7 minutes.
Dynamik der Gross-Stadt: Filmmanuskript László Moholy-Nagy Sebastian Helm, and Maximilian Sauerbier. Film in Color, silent, 20 minutes.
László Moholy-Nagy and Painting Photography Film: A Guide to Narrative Montage Andrea Nelson. History of Photography, vol. 30, no. 3, pp. 258-269. Autumn.
A Mester Tanítványai: Moholy-Nagy László Emlékére Film by Zsuzsa Dessewffy, Magyar Televizió, color, sound, 52 minutes.
Encyclopedia of Twentieth-Century Photography (3 Volumes) ed. Lynne Warren. Routledge, New York. ISBN 978-1-57958-393-4
2005
Konkrete Photografie Jäger Gottfried, Rolf H. Krauss, Beate Reese. Kerber Verlag, Bielefeld. A bilingual book (English-German)
Modern Magyar Festészet Remekei, 1896-2003 Márta Kovalovsky. Budapest: Corvina Kiadó.
Light Perception and Space: Turning the Lens on László Moholy-Nagy Paul Weideman. Pasatiempo, pp. 40-41. Santa Fe: The New Mexican, March 25-31.
The New Vision and Abstract of an Artist László Moholy-Nagy. Dover Books, Inc., Mineola, NY.
Photography Speaks: 150 Photographers on Their Art ed. Johnson Brooks. The Aperture Foundation, New York and London. Moholy-Nagy on pp. 136-137.
2004
Bauhaus, Modernism, and the Illustrated Book Alan Bartram. New Haven: Yale University Press
Fény-Kép: Hommage á Moholy-Nagy László Erika Kocsor, Magyar Televizió. Film, color, sound, 37 minutes
László Moholy-Nagy (1895-1946): Vision in Motion Lori Oden. International Photography Hall of Fame & Museum, vol. 20, no. 4, p. 1. The Kirkpatrick Center, Oklahoma City, OK.
László Moholy-Nagy: A Life in Motion: Paintings, Sculpture, Drawings and Photography Krisztina Passuth. Annely Juda Fine Art, London, exhibition 18 October-18 December.
László Moholy-Nagy: The Late Photographs Sean Ulmer. The University of Michigan Museum of Art, Ann Arbor, MI. Accompanying the exhibition in 2004-2005
Treasures of the Hungarian Museum of Photography ed. Magdolna Kolta. The Hungarian Museum of Photography, Kecskemét. A bilingual compilation (Hungarian-English)
Modernizmusok. Európai Grafika. Modernismen. Graphik in Europa. 1900-1930 Éva R. Bajkay, Bakos Katalin, Ulrike Gauss. Publisher: Stuttgart: State Gallery, Budapest: Magyar Nemzeti Galéria.
László Moholy-Nagy's New Vision and the Aestheticization of Scientific Photography in Weimar Germany Oliver Botar. Weimar Germany. Science in Context, vol. 17, no. 4, pp. 525-556.
What Do We Want? IIT Magazine, pp. 4-6, 25. Fall. Marlis Manley Broadhead. IIT Magazine, pp. 4-6, 25. Fall.
The Formation of a Renaissance Man: László Moholy-Nagy’s Secondary Schooling in Hungary Lloyd Engelbrecht. Hungarian Studies Review. Special Volume: 20th Century Hungarian Art at Home and Abroad, edited by Oliver A. I. Botar, vol. 31, no. 1-2, pp. 1-14.
From Pigment to Light:’Moholy-Nagy’s Art and Theories on Light as a New Medium Ruth E. Iskin. Hungarian Studies Review. Special Volume: 20th Century Hungarian Art at Home and Abroad, edited by Oliver A. I. Botar, vol. 31, no. 1-2, pp. 47-75.
2003
László Moholy-Nagy und die Neuerfindung des Fotogramms Herbert Molderings. ed. Renate Heyne. Kunst und Fotografie: Floris Neusüss und die Kasseler Schule für Experimentelle Fotografie, 1972 – 2002. Jonas Verlag, ISBN: 978-3-89445-317-6
Count Michael Károlyi in Wartime England. From His Correspondence, 1941-1946 Tibor Hadju and György Litván, The Hungarian Quarterly, vol. 44, no. 172, pp. 104-105, 108-109. Winter, 2003.
László Moholy-Nagy et la structure du médium Clément Chéroux. In Fautographie: Petite histoire de l’erreur photographique (Fautografie: A little story about photographic error), pp. 81-89. Éditions Yellow Now, Chrisnée, Belgium.
The Institute of Design Claire Sykes. Photographer’s Forum, 18-25. September. Exhibition “Taken by Design: Photographs from the Institute of Design, 1937-1971,” 2002.
Biocentrism and the Bauhaus Oliver A. I. Botar. The Structurist no. 43/44, pp. 54-61. Saskatoon, SK, Canada.
Transfiguring the Urban Gray: László Moholy-Nagy’s Film Scenario ‘Dynamic of the Metropolis Edward Dimendberg. Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson, edited by Richard Allen and Malcolm Turvey, pp. 109-126. Amsterdam University Press, Amsterdam.
The Stranger in a City filled with Strangers: Moholy-Nagy’s Urban Gypsies: Framework. Robin Curtis. The Journal on Cinema and Media. Special Issue – Roma in Cinema. 44.2 (Fall 2003). 42-56.
2002
False Colors: Art, Design, and Modern Camouflage Roy R. Behrens. Bobolink Books, Dysart, Iowa.
Kunst am Telefon László Moholy-Nagy. Eduardo Kac. Jeannot Simmen, ed. Telematik: Netz Moderne Navigatoren, Cologne: König.
Johannes Itten, Laszlo Moholy-Nagy und Josef Albers Rainer K. Wick. Bauhaus. Kunst und Pädagogik.
Bauhaus: le immagini di una stagione irripetibile Fabio Amodeo. Arte, p. 137, June.
László Moholy-Nagy: contacts avec l’avant-garde parisienne Christian Derouet. Cahiers du Musée National d’Art Moderne, no. 79, pp. 100-123, spring.
Schlemmer, Moholy-Nagy, and the Search for the Absolute Stage Matthew Wilson Smith. Theater, vol. 32, no. 3, pp. 87-101.
A Plurabelle-rejtély (James Joyce mozija) Kinga Máhr. Filmvilág, vol. 45, no. 3, pp. 52-54.
2001
László Moholy-Nagy Jeannine Fiedler. London: Phaeton 55.
Bauhaus: una unidad ideal Mara Ares and Veronica Duh. Artinf, vol. 26, no.113, pp. 44-46.
La photo a l’état pur. Alain Dister. L’Oeil, pp. 74 – 79, February.
Zwischen Sein und Nichts: Schatten und Lichtkunst des Bauhauses bei Ludwig Hirschfeld-Mack und László Moholy-Nagy Peter Stasny. Ausschnitt, no. 6, pp. 15 – 28.
1999
Moholy-Nagy und der Hohenflug konstruktivistischer Fotografie nach 1924 (Moholy-Nagy and the Flights of Fancy of Constructivist Photography after 1924) , Kellein, Thomas. In Thomas Kellein and Angela Lampe. eds. Abstrakte Fotografie, Ostfildern-Ruit: Hatje Cantz.
László Moholy-Nagy’s Odyssee: Von Hungarn nach Chicago (Moholy-Nagy’s Odyssey from Hungary to Chicago) , Margolin, Victor. In Georg-W. Költzsch and Margarita Tupitsyn, eds. Bauhaus: Dessau, Chicago, New York. Cologne: DuMont.
La lezione grafica della Bauhaus (The Graphic Lesson of the Bauhaus) , Bistagnino, Enrica, and Sabrina Vallino. Linea Grafica, pp. 56 – 62.
László Moholy-Nagy and Atomic Ambivalence in Postwar Chicago , Garvey, Timothy J. American Art, vol. 14, pp. 22 – 39, Fall.
Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic , Jennings, Michael. October, pp. 23 – 56, summer.
A Photographic Summit in the Windy City: The Institute of Design’s 1946 ‘New Vision in Photography’ Seminar , Pohlad, Mark B. History of Photography, vol. 24, pp. 148-154, summer
Photography , Halpert, Peter Hay. Art and Auction, no. 21, p. 52, July-August.
1998
Moholy-Nagy, László, Constructivism and the Proletariat (1922) and The New Typography (1923) , Jane Goldman, and Olga Taxidou, eds. In Vassiliki Kolocotroni, Modernism: An Anthology of Sources and Documents. Chicago: University of Chicago Press.
Historical Note , Behrens, Roy R. Print, vol. 52, p. 12, September-October.
Károly Photographes. Made in Hungary (Photographers. Made in Hungary) , Milan: Motta. (Editions in Hungarian, French, and Italian.)
Animato: The Work of Art in the Age of Potential Electronic Manipulation: Audio-Visual Paraphrases of the Painting K XVII (1923) , Jäger, Gottfried. Leonardo, vol. 31, no. 3, pp. 179-181.
Prolegomena to the Study of Biomorphic Modernism: Biocentrism, László Moholy-Nagy’s “New Vision” and Ernö Kállai’s Bioromantik , Botar, Oliver A. I. A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy, Graduate Department of the History of Art, University of Toronto.
1997
Über Moholy-Nagy: Ergebnisse aus dem Internationalen László Moholy-Nagy Symposium, Bielefeld 1995, zum 100. Geburtstag des Künstlers und Bauhauslehrers (About Moholy-Nagy: Proceedings of the International László Moholy-Nagy Symposium, ielefeld 1995, on the 100th Birthday of the Artist and Bauhaus Teacher) , Jäger, Gottfried and Gudrun Wessing, eds. Bielefeld: Kerber.
The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917 – 1946 , Margolin, Victor. Chicago: University of Chicago Press.
Historical Note , Behrens, Roy R., and Pamela A. Ivinski. Print, vol. 51, p. 6, January – February.
A Utopian Whose Vision Remains Intact , Goldberg, Vicki. New York Times, p. E43, 14 November.
Technik Utopisches bei Moholy-Nagy (Technical Utopia According to Moholy-Nagy) , Wick, Rainer K. Thesis, no. 3-4, pp. 350 – 357.
Bauhaus Fotografie , catalogue to the exhibition (in Japanese). Kawasaki City Museum, Japan.
1996
Filmische Sinneserweiterung: Filme, Experimente und Theorien von László Moholy-Nagy (Cinematic Broadening of the Senses: Films, Experiments and Theories of László Moholy-Nagy) , Sahli, Jan. Zürich: University Press.
Tranzit: Tanulmányok a kelet-közép-eurôpa avantgarde mûvészet témakörébôl (Transit: Contributions on themes in east-central European art) , Passuth, Krisztina. Budapest: Új Mûvészet Kiadó.
Bauhaus: A Form of Function , Bürer, Catherine. Idea, vol. 44, pp. 30 – 35, May.
Schwerkraft ist suspendiert (Gravity is Suspended) , Keim, Christiane, and Ulla Merle. Frauen Kunst Wissenschaft, no. 22, pp. 45 – 56, December.
1995
László Moholy-Nagy: Surfer in der Gutenberg-Galaxis (László Moholy-Nagy: Surfer in the Gutenberg Galaxy) , Fiedler, Jeannine and Ben Buschfeld. In Ute Bruning, ed. Das A und O des Bauhauses: Bauhauswerbung: Schriftbilder, Drucksachen, Ausstellungsdesign. Leipzig: Bauhaus-Archiv.
Los von der Malerei: Lichtspiele und Reportagen von László Moholy-Nagy (Freed from Painting: Lightplays and Documentaries by László Moholy-Nagy) , Film-Dienst 48. Jahrgang, pp. 34-37. August 1.
Le Bauhaus de Chicago: L’oeuvre pédagogique de László Moholy-Nagy (Chicago Bauhaus: The Pedagogical Work of László Moholy-Nagy) , Findeli, Alain. Sillery, Quebec: Klincksieck.
László Moholy-Nagy, Idee und Wirkung: Anklänge an sein Werk in der zeitgenössischen Kunst (Idee and Actuality: Traces of his Work in Contemporary Art) , Hülsewig-Johnen, Jutta, and Gottfried Jäger. Bielefeld: Kerber, 1995.
Licht-Spiele: Zum 100. Geburtstag von László Moholy-Nagy (Lightplays: The Hundredth Birthday of László Moholy-Nagy) , Weber, Klaus. Museums Journal, vol. 9, no. 2, pp. 33 – 35.
Un Passato Ritrovato: László Moholy-Nagy a Newark , Carbone, Antonella. Art e Dossier, no. 104, pp. 11-14, September.
I centi anni di László Moholy-Nagy , Carbone, Antonella. Metamorfosis, no. 27, 56-62.
Things to Come , Frayling, Christopher. British Film Institute, London.
1994
Picturing Modernism: Moholy-Nagy and Photography in Weimar Germany , Hight, Eleanor M. Cambridge, MA: MIT Press.
László Moholy-Nagy: Biographical Writings , Kaplan, Louis. Durham, North Carolina: Duke University Press.
Typofoto: Wege der Typografie zur Foto-Text-Montage bei László Moholy-Nagy (Typo-Photo: Uses of Typography in Photo Text Montages by László Moholy-Nagy) , Müller, Claudia.
Four Poems of 1918 by László Moholy-Nagy , Botar, Oliver A. I. Hungarian Studies Review, 21, no. 1, pp. 103-112.
Die Zukunft im Räderwerk der Harmonie: Utopievorstellungen zweier Werkbund Ausstellungen im Jahre 1930 (The Future in the Clockwork of Harmony: Representations of Utopia in the Two Werkbund Exhibitions in the Year 1930) , Hemken, Kai-Uwe. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, vol. 39, no. 1, pp. 79-90.
Moholy-Nagy and Japanese Modern Art , Iguchi, Toshino. Új Mûvészet, vol. 5, pp. 36-41, 70-73.
1993
Peinture photographie film et autres écrits sur la photographie (Painting Photography Film and Other Writings on Photography) , Baqué, Dominique, ed. Nimes: Jacqueline Chambon.
The Telephone Paintings: Hanging Up Moholy , Kaplan, Louis. Leonardo, vol. 26, no. 2, pp. 165 – 68.
Lazlo [sic] Moholy-Nagy , Wayman, Robin. Journal of the Writing Equipment Society, No. 83, pp. 29-30, with a reprint of Industrial Design by L. Moholy-Nagy, pp. 31-33. Solihull, UK
1992
Dynamik der Grossstadt: Skizze zu einem Filmmanuskript (Dynamic of the Big City: Sketch for a Film Script) , Moholy-Nagy, László. Berlin: Rainer.
Luftbild-Raumbild-Neues Sehen (Aerial Photography-Spatial Image-New Vision) , Haus, Andreas. Fotogeschichte, vol. 12, no. 45 – 46, pp. 74 – 90.
Bauhaus: From Form to Function, Dessau 1925 – 1929 , Kobayashi, Kunio. Idea, vol. 40, pp. 70 – 75, September. Japanese and English.
Avanguardia ungherese: la rivista Ma (Hungarian avant-garde: the magazine MA) , Verdone, Mario. Terzo Occhio, no. 18, pp. 23 – 25, September.
1991
Is there a Central European culture? , Willett, John. In Ladislav Matejka ed., Cross Currents: A Yearbook of Central European Culture – 10. Ann Arbor: University of Michigan Department of Slavic Languages and Literatures.
Blend and Dazzle: The Art of Camouflage , Behrens, Roy R. Print, vol. 45, pp. 92 – 99, 147, January – February.
Photographie au Bauhaus (Photography at the Bauhaus) , Borhan, Pierre. Cimaise, vol. 38, pp. 37 – 44, January – March.
Bauhaus Education and After: Some Critical Reflections , Findeli, Alain. Structurist, no. 31 – 32, pp. 32 – 43.
Design Education and Industry: The Laborious Beginnings of the Institute of Design in Chicago in 1944 , Findeli, Alain. Journal of Design History, vol. 4, no. 2, pp. 97 – 113.
Photographic Illiteracy , Lee, David. British Journal of Photography, no. 138, p. 12, 18 July.
1990
Fotografie am Bauhaus (Photography at the Bauhaus) , Fiedler, Jeannine, ed. Berlin: Dirk Nishen.
Lichte Zukunft für ‘Everytown’: László Moholy-Nagys Mitarbeit an dem englischen Science-Fiction-Film: “Things to Come” (Light Future for ‘Everytown’: Moholy-Nagy’s Work on the English Science Fiction Film, “Things to Come”) , Kamps, Johannes. In Christoph Andreas, ed. Festschrift für Hartmut Biermann, Weinheim. VCH, Acta Humaniora.
Man about the Bauhaus , Chalk, Douglas. Direction, p. 53, October.
Moholy-Nagy’s Design Pedagogy in Chicago (1937 – 46) , Findeli, Alain. Design Issues, vol. 7, no. 1, pp. 14 – 19.
Bauhausfotografie-oder ‘Fotografie am Bauhaus’? (Bauhaus Photography or ‘Photography at the Bauhaus’?) , Jagals, Kah. Profifoto, no. 1, pp. 54 – 57.
Institute of Design, Illinois Institute of Technology, No.3 Yoshioka, Michitaka. Design Scene, no.17, pp. 17 – 18, 25 – 26.
1164 Laszlo Moholy-Nagy Owen, Derek. Film Dope, no. 44, pp. 18-20.
1989
László Moholy-Nagy: Frühe Photographien Gerhard Glüher. Das Foto-Taschenbuch 16. Berlin: Nishen.
A Pioneer of the Hungarian Avantgarde. Kenneth McRobbie. Ladislav Matejka, ed. Cross Currents: A Yearbook of Central European Culture 8, Ann Arbor: University of Michigan Department of. Slavic Languages & Literatures.
Erweiterung der Gestaltungsmöglichkeiten durch neue Medien am Beispiel der Film- und Fotogrammarbeiten bei Laszlo Moholy-Nagy Ute Mertens. Hildesheim
Laszlo Moholy-Nagy and the Plague of Plagiarism Louis Kaplan. Yearbook of Interdisciplinary Studies in the Fine Arts, vol. I, pp. 15-35.
Fotomontaz w Bauhausie (Photomontage in the Bauhaus) Rolf Sachsse. Sztuka, vol. 14, no. 4, pp.12-15.
1988
Moholy-Nagy and the Hungarian-American Council for Democracy: Documents Oliver A. I. Botar. Hungarian Studies Review, vol. 15, no. 1, pp. 77-84.
Dynamik der Groβstadt Jürgen Sascha Hardt. Film, color, silent, 17 minutes, Theater der Klänge, adapted from the film script by László Moholy-Nagy.
De la photographie á la peinture: L eçon de László Moholy-Nagy (1895-1946) Alain Findeli. Hungarian Studies Review, vol. 15, no. 1, pp. 53-62.
Light in the Work of László Moholy Nagy. In Ladislav Matejka. Diane Kirkpatrick. Ed. Cross Currents: A Yearbook of Central European Culture – 7. Ann Arbor: University of Michigan Department of Slavic Languages and Literatures.
Time and Space in the Work of László Moholy-Nagy Diane Kirkpatrick. Hungarian Studies Review, vol. 15, no. 1, pp. 63-76.
Analysis of Photographic Style: A Systems Approach Rebecca Bryant Lockridge. Journal of American Culture, vol. 11, no. 1, pp. 43-53.
László Moholy-Nagy: La grande roué. Krisztina Passuth. Art Press, pp. 12-13, December.
1987
An Interview with Katharine Kuh Avis Berman. Archives of American Art Journal, vol. 27, no. 3, pp. 2 – 36.
László Moholy-Nagy: Alchemist of Transparency Alain Findeli. Structurist, no. 27 – 28, pp. 4 – 11.
Moholy-Nagy: Proto-Holographer Richard Kostelanetz. The Structurist, no. 27 – 28, pp. 12 – 21.
Transparency in Art in the Early Part of the Twentieth Century David Geary. The Structurist, no. 27 – 28, pp. 23 – 27.
The Bauhaus Metal Workshop: 1919 – 1927 Deborah Norton. Metalsmith, no. 7, pp. 40 – 45, Winter.
Le rôle de l’avant-garde hongroise: (Moholy-Nagy, Kassak, Péri) dans le développement des mouvements d’avant-gardes est-ouest (1909-1926) (The Role of the Hungarian Avant-Garde in the Development of East-West Avant-Garde Movements (1909-1926) Krisztina Passuth. Ph.D. dissertation, Sorbonne, Paris.
László Moholy-Nagy, an Apostle of the Beauty of Technology József Vadas. Interpressgraphic, no. 2, pp. 10-17.
Ästhetische Erziehung in Gesellschaftsverändernder Absicht (Aesthetic Education in Order to Change Society) Rainer K. Wick. Cahier ICSAC, no. 6-7, pp. 225-248.
László Moholy-Nagy: ‘Konstruktion in Emaille 1’ (‘Enamel Construction 1) Jan van der Marck. Art Press, pp. 84 – 86, September.
1985
The New Vision: Forty Years of Photography at the Institute of Design ed. Charles Traub. Aperture, no. 87, pp. 4-76. Millerton, NY.
Constructed Reliefs in the Art of the Hungarian Avant-Garde: Kassák, Bortnyik, Uitz and Moholy-Nagy 1921 – 1926 Oliver A.I. Botar. Structurist, no. 25/26, pp. 87 – 98.
The Films of Moholy-Nagy Jan-Christopher Horak. Afterimage, vol. 13, pp. 20 – 23, Summer.
Photography and the Bauhaus. Archive, pp. 4 – 25, March Suzanne. E. Pastor.
Man Ray and Moholy-Nagy: Rayographs and Photograms Sandra S. Philips. Arts in Virginia, vol. 25, no. 2 – 3, pp. 48-63.
1984
Projecting the Fourth Dimension: Two Constructions by Lázló [sic] Moholy-Nagy Ruth Rattner. Bulletin of the Detroit Institute of Arts, vol. 61, no. 4, pp. 4-13.
1983
The Romance of Commerce and Culture: Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform James Sloan Allen. Chicago: University of Chicago Press.
Moholy-Nagy: Material, Nature, and Industry Andreas Haus. In Stanislaus von Moos and Christiaan Smeenk, eds. Avant-garde und Industrie. Delft: University Press.
Die Trilogie der möglichen Wunder (The Trilogy of Possible Miracles) André Heller and Ernst Bloch. Roncalli, Flic Flac, Theater des Feuers. Vienna: Medusa.
From Material to Architecture János Brendel. Polish Art Studies, vol. 4. pp. 47-60.
Bauhaus stamp series Masaru Katzumie. Graphic Design, vol. 3, December.
Souvenirs de Moholy-Nagy et du New Bauhaus (Memories of Moholy-Nagy and the New Bauhaus) Nathan Lerner. Photographies, no. 3, p. 31.
Armed Vision Disarmed: Radical Formalism from Weapon to Style Abigail Solomon-Godeau. Afterimage, vol. 10, pp. 9-14, January.
László Moholy-Nagy: Photographer Victor Margolin. In George Walsh, Colin Naylor and Michael Held. eds. Contemporary Photographers, New York: St. Martin’s Press
1982
The Utopian Vision of Moholy-Nagy Joseph Harris Caton. Ann Arbor: UMI Research Press.
1944
Photography in the Study of Design László Moholy-Nagy, American Annual of Photography, 1945, vol. 59. Boston
Design Workshops László Moholy-Nagy, Film, color, silent, 34 minutes
The Coming World of Photography László Moholy-Nagy, Popular Photography, vol. 14, no. 2. New York
In Defense of ‘Abstract’ Art László Moholy-Nagy, Journal of Aesthetics and Art Criticism, vol. 4, no. 2, pp. 74-76. Madison, WI
1943
New Trends in Design László Moholy-Nagy, Interiors, vol. 102, pp. 48-51
Better Than Before László Moholy-Nagy, The Technology Review, Massachusetts Institute of Technology, vol. 46, no. 1, November
Space-Time and the Photographer László Moholy-Nagy, American Annual of Photography, 1942. vol. 56, no. 152, pp. 158-164. Boston
Surrealism and the Photographer László Moholy-Nagy, The Complete Photographer, vol. 9, no. 52. New York
Industrial Design László Moholy-Nagy, Interiors, vol. 102, pp. 52-53
Are You Contemporary? Robert M. Yoder, Saturday Evening Post, vol. 216, 3 July
1942
Materials for the Camoufleur John L. Scott, with L. Moholy-Nagy and Gyorgy Kepes, Civilian Defense, p.12 ff. September
1941
Education in Various Arts and Media for the Designer László Moholy-Nagy, In Guy Montrose Whipple, ed. National Society for the Study of Education, The fortieth yearbook; Art in American Life and Education. Bloomington IL: Public School Publishing
Design in Modern Theory and Practice László Moholy-Nagy, California Arts and Architecture, vol. 58, no. 21, pp. 35-36. Los Angeles
New Trends in Design László Moholy-Nagy, Task, no. 1. New York
The Photography of Moholy-Nagy Beaumont Newhall, Kenyon Review, vol. 3, pp. 344-351
1940
Photography László Moholy-Nagy, In Ansel Adams, A Pageant of Photography, pp. 23-24. San Francisco: Crocker Union
"Work of the Camouflage Class,” 22 minutes, “Student Exhibition #1,” 9 minutes, “Student Exhibition #2,” 6 minutes, “Children’s Workshop,” 3 minutes, “Interview with Students,” 3 minutes László Moholy-Nagy, Five short silent, color films about the School/Institute of Design by László Moholy-Nagy 1940-1944
Objectives of a Designer Education László Moholy-Nagy, In Proceedings: Conference on the Expansion of Industrial Communities with Regard to Housing and City Planning, February 2-3. Ann Arbor: University of Michigan College of Architecture and Design
About the Elements of Motion Picture László Moholy-Nagy, Design Magazine, vol. 42, p. 13 ff
Make a Light Modulator László Moholy-Nagy, Minicam, vol. 3, no. 7. Cincinnati
1939
Bauhaus Education László Moholy-Nagy, In Martin Schutze, Byrdcliffe Afternoons: A Series of Lectures Given at Byrdcliffe, Woodstock, NY, July. New York: Overlook Press
New Bauhaus: American School of Design, Chicago László Moholy-Nagy, Design Magazine, vol. 40, pp. 19-21
Making Photographs without a Camera László Moholy-Nagy, Popular Photography, vol. 5, no. 6, pp. 30, 167-169. December
1938
An Oxford University Chest John Betjeman, London: John Miles. Illustrated with photographs by Moholy-Nagy
Typography Technique László Moholy-Nagy, Paper and Printing Digest, vol. 4, no. 1, pp. 2 – 5
From Wine Jugs to Lighting Fixtures László Moholy-Nagy, In Herbert Bayer, Walter Gropius, and Ise Frank Gropius, eds. Bauhaus, 1919 – 1928. New York: Museum of Modern Art
Education and the Bauhaus László Moholy-Nagy, Focus, no. 2, pp. 20-27. London
New Approach to Fundamentals of Design László Moholy-Nagy, More Business, vol. 3, no. 11, pp. 4-6. Chicago
Why Bauhaus Education? László Moholy-Nagy, Shelter, no. 3, pp. 6-21. Philadelphia
The Chicago Bauhaus and Moholy-Nagy Emanuel Mervir Benson, Magazine of Art, no. 31, pp. 82-83
The New Bauhaus: A Program for Art Education Ruth Green Harris, New York Times, 29 May, part 10, p. 7
The New Vision: fundamentals of design painting sculpture architecture László Moholy-Nagy, Translated by Daphne Hoffman. W.W. Norton & Company, New York
1937
Photograms are the Key to Real Camera Art says L. Moholy-Nagy Photography, vol. 5, no. 54, p. 1. London, February
Old in New Time Magazine, p. 41, October 25
Construction: Dead or Alive Transition: A Quarterly Review, no. 26, pp. 195-208
An Academy for the Study of Light Transition: A Quarterly Review, no. 26, pp. 113-117
Moholy-Nagy, Picture Hunter, Looks at the Paris Exposition László Moholy-Nagy, Architectural Record, vol. 82, number 4, pp. 92-93. October
The New Bauhaus and Space Relationship László Moholy-Nagy, American Architect and Building News, no. 151, pp. 22 – 28. New York
Richtlijnen voor een onbelemmerde kleuren-fotografie (Guidelines for a freed color photography) László Moholy-Nagy, Prisma der Kunsten, pp. 100-105, February
The Tinsel and the Glamour László Moholy-Nagy, Fortune magazine, pp. 138-139. November
1936
The Street Markets of London Mary Benedetta, London: John Miles. Photographic illustrations by Moholy-Nagy
Lobsters László Moholy-Nagy, Film, black/white, music and voice-over, 16 minutes
Lobsters László Moholy-Nagy, Film, black/white, silent, with intertitles, 16 minutes
The New Architecture of the London Zoo László Moholy-Nagy, Film, black/white, silent with titles, 16 minutes
Claudia László Moholy-Nagy, Film, black/white, silent, 16 minutes
Light Architecture László Moholy-Nagy, Industrial Arts, vol. 1, no. 1, pp.15-17. London
Photography in a Flash László Moholy-Nagy, Industrial Arts, Vol. 1, no. 4, pp. 294-303. London
Photographers of Today László Moholy-Nagy, Modern Photography, p. 16. London
Subject without Art László Moholy-Nagy, Studio, no. 12, p. 259. London
A felszabadult színfényképezés felé (Towards Liberated Color Photography László Moholy-Nagy, Korunk, no 12, pp. 1014-17. Kolozsvár
Telehor (Moholy-Nagy issue) Frantisek Kalivoda, vol. 1. Brno
Light Painting László Moholy-Nagy, In John Leslie Martin, Ben Nicholson, and Naum Gabo, eds. Circle: International Survey of Constructive Art. London: Faber and Faber
Portrait Bernard Eton Fergusson, London: John Miles. Photographic illustrations by Moholy-Nagy
Modern Art and Architecture László Moholy-Nagy, Journal of the Royal Institute of British Architects, Series 3, vol. 44, no. 5, pp. 209 – 219
László Moholy-Nagy Walter Gropius, Korunk, pp. 244 – 46. Kolozsvár
The New Bauhaus László Moholy-Nagy, Architectural Forum, vol. 67, supp. 22, 82. New York
1935
A képtôl a fényarchitektúraig (From Pictures to Light Architecture) László Moholy-Nagy, Korunk, vol. 10, no. 6. Kolozsvár
Hangosfilm-színesfilm, és azután? (Sound Film-Color Film, and Then?) László Moholy-Nagy, Korunk. Vol. 10, no 11. Kolozsvár
1934
Offener Brief an die Filmindustrie und an Alle, die Interesse an der Entwicklung des guten Fims haben (Open Letter to the Film Industry and to All Who are Interested in the Development of Good Film) László Moholy-Nagy, Ekran. Vol. 1, 15 November. Brno
New Eyes for Old Philip Morton Shand, Architectural Review, vol. 75, January
Hattula László Moholy-Nagy, Film, black/white, silent, 18 minutes
Een Manifest van Moholy Nagy voor de Avant-Garde László Moholy-Nagy, Filmfront, nos. 19 and 20, pp. 16-17. Amsterdam, September
An Interview with L. Moholy-Nagy Elisabeth Augustin, Official Organ of the Association for Publicity, no. 12. Amsterdam, Netherlands
Formes Nues Albert Mentzel and Albert Roux, Editions d’Art Graphique et Photographique, Paris
1933
How photography revolutionizes vision László Moholy-Nagy. The Listener, 8 November. London.
Bevezetô Molnár Farkas munkaihoz (Introduction to the Work of Farkas Molnár) László Moholy-Nagy. Budapest
Új filmkísérletek (New Film Experiments) László Moholy-Nagy. Korunk, vol. 8, no. 3, p. 231ff. Kolozsvár.
Természet és technika (Nature and Techology) László Moholy-Nagy. Korunk, vol. 8, no. 5.
A festéktôl a fényig (From Pigment to Light) László Moholy-Nagy. Korunk, vol. 8, no. 10, pp. 231-37. Kolozsvár.
A fotográfia: napjaink objectiv látási formája (The objective vision of our day) László Moholy-Nagy. Korunk, vol. 8, no. 12, pp. 911-913. Kolozsvár.
Der Beste Filmeinfall: Moholy-Nagy László Moholy-Nagy. Berliner Börsen-Courier, nr. 1, January 1
1932
Einleitung zum Vortrag-Malerei und Fotografie-Köln Dezember 1931 (Introduction to a lecture-Painting and Photography, Cologne, December 1931) László Moholy-Nagy. A bis Z, vol. 23, p. 89
Réponses aux questions (Replies to questions) László Moholy-Nagy. Abstraction-Création Art nonfiguratif, nos. 1-2, 1932-1933. Paris
Photographs László Moholy-Nagy. Advertising Arts, May
Probleme des neuen Films (Problems of the new film) László Moholy-Nagy. Die Form, vol. 7, no.5, pp. 155-159. Berlin
Festézet és fényképészet (Painting and Photography) László Moholy-Nagy. Korunk, vol. 7, no. 2, pp. 104-105. Kolozsvár
Notice of photography exhibition at the Julien Levy Gallery, New York László Moholy-Nagy. Advertising Arts, May.
A film új lehetôségei (Fekete, fehér és szürke filmjáték) (New Film Possibilities. Lightplay black white gray) László Moholy-Nagy. Munka, no. 24, pp. 685-87. Budapest.
8 Fotomontage Laszlo Moholy-Nagy. Social Kunst, no. 1. Oslo
1931
Fényjáték-film (Light Display Film) László Moholy-Nagy. Korunk, no. 12, pp. 866-67. Kolozsvár.
Modern Photography: The Special Autumn Number of “The Studio" The Studio London. Photograph by Moholy-Nagy on p. 72
Appreciation. Qualität: Ware und Werbung Hugo Winkler. Zeitschrift für wirtschaftlich Bildung und Qualitätsproduktion, 9, no. 1-2, pp. 8-20. Moholy-Nagy issue
1930
60 Fotos , Franz Roh, Laszló Moholy-Nagy. Berlin: Klinkhardt and Biermann
Das Deutsche Lichtbild: Jahresschau 1930 Verlag Robert & Bruno Schultz. Photographs by Moholy-Nagy on pages 23 and 76. Berlin
L. Moholy-Nagy and His Theories of Photography Potamkin, Harry Alan. American Photography, vol. 24, no. 5, pp. 254-256. May
Lichtrequisit einer elektrischen Bühne (Light Prop for an Electric Stage) László Moholy-Nagy. Zeitschrift für gestaltende Arbeit, vol. 5. pp. 297-299, June. Berlin
Typographie-wohin geht die typografische Entwicklung? (Typography – where is typographical development heading?) László Moholy-Nagy. Heinz and Bodo Rasch eds. Gefesselter Blick: 25 kurze Monografien und Beiträge über neue Werbegestaltung. Stuttgart: Verlag Zaugg.
A szelet-embertôl az egész emberig (From Segmental Man to Total Man) László Moholy-Nagy. Korunk, vol. 5, no. 2. Kolozsvár
Az új film problémái (Problems of the new film) László Moholy-Nagy. Korunk, vol. 5, no. 10, pp. 712-19. Kolozsvár
Moholy-Nadzsi [sic], a modern mûvészetek és tudományok professzora (Moholy-Nadzsi, the Professor of Modern Arts and Sciences) Imre Pán, Lantos Magazin, pp. 123-25. Budapest
A fényképezô ember (The Photography Man) Máriusz Rabinovszky. Magyar Mûvészet, pp. 641-46. Budapest
The New Vision László Moholy-Nagy. Brewer, Warren and Putnam, Inc. New York
1929
Von Material zu Architektur (From Material to Architecture) , László Moholy-Nagy. Bauhaus Book 14, Munich: Langen
Confession: In Answer to Your Interview , László Moholy-Nagy. The Little Review, no. 12, May. New York
Impressionen vom alten marseiller Hafen [Vieux Port] (Impressions of the old Marseilles Harbor [Vieux Port]) , László Moholy-Nagy. Film, black/white, silent, 9 minutes
The Future of the Photographic Process , László Moholy-Nagy. Transition, 15 February. pp. 289-293. Paris
Die Optik in Tonfilm (Optics in Sound Film) , László Moholy-Nagy. Film und Volk, no. 3, July. Berlin
Das Kind des Anderen (Someone else’s child) , László Moholy-Nagy. Filmkroniek (movie review). i10 Internationale Revue, vol. 2, no. 17/18, pp. 118-119. Amsterdam
Johanna von Orleans (Joan of Orleans) , László Moholy-Nagy. Filmkroniek (movie review). i10 Internationale Revue, vol. 2, no. 17/18, pp. 119-120. Amsterdam
Sturm über Asien (Storm over Asia) , László Moholy-Nagy. i10 Internationale Revue, vol. 2, no. 19. Filmkroniek (movie review). Amsterdam
Scharf oder unscharf? (Sharp or Fuzzy?) , László Moholy-Nagy. i10 Internationale Revue, vol. 2, no.20, pp. 163-67. Amsterdam
Fotogramm und Grenzgebiete (Photogram and Frontiers) , László Moholy-Nagy. Die Form, vol. 4, no. 10. Berlin
Experimentale Fotografie (Experimental Photography) , László Moholy-Nagy. Das Neue Frankfurt, no. 3. Frankfurt
Jeszcze o elementach (Once more about the elements) , László Moholy-Nagy. Praesens, no. 2, pp. 157-165. Warsaw
La photographie ce qu’elle était, ce qu’elle devra être (What photography has been and what it must become) , László Moholy-Nagy. Cahiers d’Art, vol. 4, no. 1, pp. 29-30. Paris
Az ember és a háza (Man and His House) , László Moholy-Nagy. Korunk, vol. 4, no. 4, pp. 298-299. Kolozsvár.
Photographie der Gegenwart und wir! (Photography of the Present and Us!) , László Moholy-Nagy. Photofreund, no. 24, pp. 480-481
Der Sinne der modernen Photographien. Ein Vortrag von Professor Moholy-Nagy (The Meaning of Modern Photographs. A Lecture by Professor Moholy-Nagy) , H. Starke. Berliner Tagesblatt, no. 44
Die ‘entfesselte’ Kamera’ und die ‘produktive Photographie’. Zu den Ideen von Professor Moholy-Nagy (The ‘unchained’ camera and ‘productive photography.’ On the ideas of Professor Moholy-Nagy) , Willy Warstatt. Deutscher Kamera-Almanach
1928
Fotografie ist Lichtgestaltung (Photography is Design with Light) , László Moholy-Nagy. Bauhaus, vol. 2, no. 1, pp. 2-9. Dessau
Der sprechende Film (The Talking Film) , László Moholy-Nagy. i10 Internationale Revue, vol. 2, no. 15. Amsterdam
Zu den Fotografien von Florence Henri (On Florence Henri’s Photography) , László Moholy-Nagy. i10 Internationale Revue, vol. 2, nos. 17-18. Amsterdam
Neue Wege in der Photographie (New Paths in Photography) , László Moholy-Nagy. Photographische Rundschau, vol. 65, pp. 33-36. Halle
A fénykepezés megújulása (The Rebirth of Photography) , László Moholy-Nagy. Munka, no. 2. Budapest
Elementare Buchtechnik (Elementary Book Technology) , László Moholy-Nagy. Europäische Buchkunst der Gegenwart, Verlag Rudolf Schick & Co. Leipzig
1927
A jövô színháza a teljes színház (Total Theater is the Theater of the Future) , László Moholy-Nagy. Dokumentum, March, pp. 6-7. Budapest
Wie soll das Theater der Totalität verwirklicht werden (How the total theater should be realized) , László Moholy-Nagy. Bauhaus, no. 3, p. 6. Dessau
Die beispiellose Fotografie (Unparalleled Photography) , László Moholy-Nagy. i10 Internationale Revue 1, no. 3. Amsterdam
Die Photographie in der Reklame (Photography in the Advertisement) , László Moholy-Nagy. Photographische Korrespondenz 63. September. Vienna
Eine Programmandeutung für fotografische Arbeit (A Suggested Program for Photographic Work) , László Moholy-Nagy. Führer 1/DAV, pp. 19-23. Berlin
Diskussionsbeitrag zu Kállais Artikel ‘Malerei und Photographie’ (Contribution to the Debate about Kallai’s Article, ‘Painting and Photography’) , László Moholy-Nagy. i10 Internationale Revue 1, no. 6, pp. 233-234. Amsterdam
1926
Ismus oder Kunst (Isms or Art) , László Moholy-Nagy. Vivos Voco, 5, September
Fotoplastische Reklame/Fotogramm/Das Fotogramm in der Werbe-gestaltung (Photoplastic Advertisements/ Photograms/ The Photogram in Advertising Design) , László Moholy-Nagy. Offset-, Buch und Werbekunst, no. 7
Geradlinigkeit des geistes-Umwege der Technik (Directness of the Mind-Technological Detours) , László Moholy-Nagy. Bauhaus 1, no. 4
Typophoto , László Moholy-Nagy. Pásmo 2, no. 1, pp. 16-17. Brno
1924
A nagyváros dinamikája. (Dynamic of the Big City) , László Moholy-Nagy. Ma, September
Theater, Zirkus, Varieté (Theater, Circus, Variety) , László Moholy-Nagy. In Oskar Schlemmer, Moholy-Nagy and Farkas Molnár, Die Bühne im Bauhaus, Bauhaus Book 4, Munich: Langen
Die Arbeit der Bauhaus Werkstatten (The Work of the Bauhaus Workshops) , László Moholy-Nagy.
Die Arbeit des Staatlichen Bauhauses (The Work of the State Bauhaus) , Moholy-Nagy and George Muche. Thuringer Allgemeine Zeitung, 19 October
Malerei, Fotografie, Film (Painting, Photography, Film) , László Moholy-Nagy. Bauhaus Books 8. Munich: Langen
Das Bauhaus in Dessau , László Moholy-Nagy. Qualität, pp. 4-5, May-June
Bauhaus und Typografie , László Moholy-Nagy. Anhaltische Rundschau, 14 September
Kunstbetrachtung = Weltbetrachtung (View of Art = View of the World) , László Moholy-Nagy. Offset Buch- und Werbekunst, no. 6
Richtlinien für eine synthetische Zeitschrift (Guidelines for a Synthetic Newspaper) , László Moholy-Nagy. Pásmo, vol. 1, no. 5-6. Brno
Zeitgemässe Typographie-Ziele, Praxis, Kritik (Contemporary typography: Goals, Practice, Criticism) , László Moholy-Nagy. In Gutenberg Festschrift zur Feier des 25 Jährigen Bestehens des Gutenbergmuseum in Mainz (Gutenberg Festschrift for the Celebration of the 25 Year Existence of the Gutenberg Museum in Mainz). Mainz: Gutenberg- Gesellschaft
Die Bühne im Bauhaus (The Theater of the Bauhaus) , Oskar Schlemmer, László Moholy-Nagy and Farkas Molnár. Bauhaus Book 4. Albert Langen, Munich
Malerei Fotografie Film (Painting Photography Film) , László Moholy-Nagy. Bauhaus Book 8. Albert Langen, Munich
1923
Nyilatkozat (Declaration) , László Moholy-Nagy, Ernô Kállai, Alfréd Kemény, and László Péri. Egység, 10 February, p.15
Neue Gestaltung in der Musik. Möglichkeiten des Gramophons. (New Form in Music. Possibilities of the Phonograph) , László Moholy-Nagy. Der Sturm, no. 7
Light-A Medium of Plastic Expression , László Moholy-Nagy. Broom: An International Magazine of the Arts, no. 4, pp. 224-25, 240-41, 283-84, March
Die neue Typographie (The New Typography) , László Moholy-Nagy. In Staatliches Bauhaus Weimar 1919-23, Weimar, Munich: Bauhausverlag, Cologne: Karl Nierendorf
1922
Új mûvészek k&oumlnyve / Buch neuer Künstler (Book of New Artists) , Kassák Lajos and László Moholy-Nagy. Vienna: I. Fischer
Vita az új tartalom és az új forma problemájárol (Problems of new content and new form) , László Moholy-Nagy. Akasztott Ember, pp. 3-4, 20 December
Dynamisch-Konstruktives Kräftesystem: Manifesto der kinetischen Plastik (The Constructive Dynamic System of Forces: Manifesto of Kinetic Sculpture) , László Moholy-Nagy and Alfréd Kemény. Der Sturm, no. 13, pp. 9-12; no. 14, p. 7
Produktion-Reproduktion (Production-Reproduction) , László Moholy-Nagy. De Stijl vol. 5, pp. 98-100
1921
Képesk&oumlnyv (Picture book) , László Moholy-Nagy. Horizont 2. Vienna: Ma
Aufruf zur elementaren Kunst – an die Künstler der Welt! (A Call to Elementary Art – to the Artists of the World!) , László Moholy-Nagy, Raoul Hausmann, Hans Arp and Ivan Puni. De Stijl, 4 October
1919
A csodálatos angol tánczcsoport (The Wonderful English Dance Troupe) , László Moholy-Nagy. A Hét, pp. 351-354. Budapest
1918
Versek , László Moholy-Nagy. Two poems, Jelenkor, vol. 1, no. 3-4. Budapest
Fodor László novellái (Review of László Fodor’s short stories) , László Moholy-Nagy. Jelenkor, Vol. 1, no. 3-4. Budapest
Paizs Elemér, Agglegény Pinterics , László Moholy-Nagy. Jelenkor, vol. 1, no. 3-4. Budapest
Találkozás (Meeting) , László Moholy-Nagy. Jelenkor, vol. 2, no. 5, pp. 138-141. Budapest
Garami árpád versei (Review of árpád Garami’s poems) , László Moholy-Nagy. Jelenkor, vol. 2, no. 5, pp. 159-160. Budapest
Versek (Poems) , László Moholy-Nagy. Jelenkor, vol. 2, no. 6, pp. 171-173. Budapest
Török Gyula: A zöldköves gyûrû (Review of The Ring with the Green Stone by Gyula Török) , László Moholy-Nagy. Jelenkor, vol. 2, no. 6, pp. 187-189. Budapest
A csodálatos angol tánczcsoport (The Wonderful English Dance Troupe) , László Moholy-Nagy. A Hét, pp. 351-354. Budapest
1917
Maris (Mary) , László Moholy-Nagy. Jelenkor, vol. 1, no. 1, pp. 7-10, Budapest
1912
Szegedi Napló , László Moholy-Nagy. Poem, 3 December, Szeged
1911
Szegedi Napló , László Moholy-Nagy. Poem, 6 October, Szeged